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SEPTEMBER NOTEBOOK: STORIES, by             Poet Analysis     Poet's Biography


"September Notebook: Stories" by Robert Hass weaves together various fragmented narratives, each imbued with a sense of profound reflection and nuanced observation. The poem begins with a simple, evocative line about origins: "Everyone comes here from a long way off," setting a contemplative tone that permeates the subsequent vignettes.

The first vignette portrays a man and a woman conversing while driving on Interstate 80 amidst the haze of wildfire smoke. The juxtaposition of their personal stories—his sad, hers troubled—against the backdrop of a smoky, indistinct landscape creates a sense of emotional and environmental murkiness.

In an alternative narrative, an old man and woman in a theater watch a film about a couple driving through the mountains. This meta-cinematic scenario blurs the lines between fiction and reality, echoing the disorientation the couple feels. The emotional intensity of the woman's recounting of her marriage's end contrasts with the man's stoic listening, their combined grief culminating in a shared flinch as a timber truck suddenly appears on screen.

Hass continues to explore the inadequacy of language in capturing raw experience. One man struggles to recount a significant day, finding that every detail he articulates—"the rain, the scent of her hair"—feels fictional. He longs to convey the moment's "brute, abject, unassimilated quality" but finds himself trapped in the narrative construct, unable to express the authenticity of his pain.

The poem also features a series of light-hearted observations about involuntary movements like "squirm, wince, flinch, and shudder," likening them humorously to a Dickensian law firm. This playful interlude contrasts with the more somber tones of other sections, showcasing Hass's versatility in handling different emotional textures.

Another narrative fragment introduces a receptionist at a hospital morgue, directing a grieving person to a recorded message. This depiction of institutional coldness underscores the isolation and helplessness often felt in the face of death.

In a more whimsical turn, Hass tells a story about greenhorns being measured for suits and another about two sisters and their bear friend, highlighting his ability to shift between gravity and levity seamlessly.

The poem also reflects on societal structures, as seen in the vignette about the equitable arrangement between a young couple in a museum restaurant and a brief story about the distribution of wealth featuring an old, poor couple. These segments delve into themes of economic disparity and the simplicity of human connections amidst systemic complexities.

A touching segment titled "How Eldie Got Her Name" recounts a young woman's resilience in a dangerous neighborhood. Her diligence and love for schoolwork, juxtaposed with the backdrop of her tough upbringing, illustrate the interplay between personal effort and environmental challenges.

Hass skillfully employs punchlines without setups and setups without punchlines to create a sense of unresolved tension, reflecting the fragmented, often incomplete nature of our understanding of life and experiences.

In a poignant reflection on memory and perception, Hass describes a woman who confidently puts herself together despite the passage of time. Her minimalist approach to elegance sparks a recognition in the narrator, blending humor and tenderness in his recollection of their shared past.

The poem concludes with a series of open-ended, surreal narratives, including jokes walking into a bar and a cage searching for a bird, emphasizing the inherent absurdity and unpredictability of life.

"September Notebook: Stories" is a rich tapestry of interconnected vignettes, each exploring different facets of human experience, memory, and the complexity of storytelling. Hass's masterful use of imagery, tone, and narrative structure invites readers to ponder the multifaceted nature of existence and the often-elusive quest for meaning and connection.


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