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DERRICK POEM (THE LOST WORLD), by             Poet Analysis     Poet's Biography

Terrance Hayes’ "Derrick Poem (The Lost World)" is a meditation on friendship, race, masculinity, and nostalgia, intricately woven into the rhythms of everyday life. The poem explores the intersections of sports, music, consumerism, and personal relationships, grounding these themes in a deeply personal narrative. The speaker moves through a landscape of memory and longing, where every interaction—buying shoes, listening to Ella Fitzgerald, playing basketball—becomes an opportunity for reflection on identity, connection, and what it means to drift apart from someone who was once central to one’s world.

The poem is built on motion, following the speaker as he makes a series of seemingly casual choices that, upon closer examination, carry weight. He spends money meant for necessities—“the dough I was supposed to use to pay the light bill”—on new basketball shoes and an Ella Fitzgerald CD. These purchases are not just indulgences; they are signifiers of identity and passion, markers of a life that revolves around the court and the culture surrounding it. The Air Flights he chooses over the “too flashy” NBA Air Avengers reflect a tension between restraint and self-expression, between what is acceptable and what is excessive. These details set up the underlying conflict in the poem: the pull between belonging and individuality, between past loyalties and new desires.

At the heart of this conflict is Derrick, an old friend who appears suddenly, rolling up in a borrowed Pontiac. The relationship between the speaker and Derrick is layered with history, particularly their conversations about “black women & desire”—conversations that now seem distant. The speaker recalls a specific moment on the basketball court, where he was with a “white girl who’d borrowed my shorts” while Derrick played alone, shooting at a crooked rim. The significance of this memory is heavy; it is an unspoken betrayal, a deviation from shared understandings about race, masculinity, and loyalty. The speaker does not directly say that he felt guilt, but his avoidance—“I tried not to look his way”—is telling. It suggests a rupture in their friendship, a shift in priorities that neither of them fully articulates but both seem to recognize.

Derrick, however, does not confront the speaker about the past. Instead, he talks about “dinosaurs,” a seemingly random topic but one that resonates symbolically. The dinosaurs of The Lost World—referencing the Jurassic Park sequel—could represent extinction, obsolescence, or a sense of being out of place in a changing environment. Derrick’s fascination with the movie, and his invitation—“We should go to the movies sometime”—could be read as a plea for reconnection, an attempt to reclaim something that has been lost. But the speaker, caught in his own world of distractions and obligations, does not respond in the moment. The poem ends on “& stopped”—a sudden halt, an unfinished thought, leaving us with a sense of unresolved tension. Derrick’s voice lingers, but we do not know if the speaker ever acknowledges it.

Hayes crafts "Derrick Poem (The Lost World)" with a fluid, almost conversational style, using enjambment and fragmented syntax to mirror the rhythm of thought. The lack of punctuation in many places creates a sense of breathlessness, an internal monologue that spills forward like a stream of consciousness. The use of ampersands instead of "and" adds to this sense of movement, giving the poem a feeling of immediacy, as if we are experiencing these memories in real-time. The layering of pop culture references—basketball shoes, jazz, Jurassic Park—anchors the poem in a specific time and place, making the personal feel universal.

Ultimately, the poem is about more than just two friends drifting apart; it is about the quiet weight of history, the unspoken tensions that shape relationships, and the ways in which we fail to recognize loneliness in those around us. Derrick, once a confidant in discussions about love and race, is now a figure who speaks of dinosaurs, perhaps as a metaphor for his own fading relevance in the speaker’s life. And yet, there is a lingering sense of regret, of missed opportunities to listen, to engage, to acknowledge the past before it becomes just another lost world.


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