Classic and Contemporary Poetry: Explained

Mark Jarman's poem "Bulgarian Icon of the Last Supper" delves into the interplay of the sacred and the mundane within a religious context, particularly focusing on a painting of the Last Supper. By juxtaposing ordinary objects with holy figures, Jarman explores themes of perception, symbolism, and the universality of spiritual experiences.

The poem opens with the idea that the halos in the painting reveal true identities: "If they saw around his head and theirs the halos-All would be known. And Judas without a halo / Would not fool anyone." This assertion underscores the notion that divine indicators, like halos, would make Judas's betrayal obvious, preventing any deception. The emphasis on the revealing power of these symbols sets the tone for the poem's exploration of visible and invisible truths.

Jarman quickly transitions to the presence of ordinary objects: "But why are the two white parsnips on the table / In the foreground?" This question highlights the curious inclusion of mundane vegetables in a sacred scene. The parsnips serve as a focal point, drawing attention to the contrast between the everyday and the divine.

The description of the setting—"The upper room crowds in / With slotted windows, spindly pillars, under a small blue dome"—creates a vivid image of the space where the Last Supper takes place. The detailed setting emphasizes the carefully constructed environment of the painting, where every element is deliberate and significant.

Jarman notes that "Everyone's dressed in the gold of holiness, even Judas." This uniformity in attire suggests an idealized portrayal of sanctity, where even the betrayer appears holy. However, "in Christ's halo, the letters of his fate are legible," indicating that those who look closely can see the predetermined path of sacrifice and redemption. This visibility of fate contrasts with the concealed intentions of Judas.

The poem returns to the ordinary objects: "But those root vegetables, / There side by side, among the three-pronged forks— / They couldn't be more accurate, less stylized." The realistic depiction of the parsnips amidst the stylized holy figures underscores the stark contrast between the ordinary and the sacred. This realism grounds the scene in everyday life, bridging the gap between the divine and the mundane.

Jarman continues with another ordinary object: "And in those loving cups-aren't those dumplings?" The inclusion of dumplings, like the parsnips, further emphasizes the mundane aspects of the meal, contrasting with the idealized holiness of the figures. The dumplings and parsnips act as footnotes to the sacred scene, reminding viewers of the commonality of the Last Supper.

The poem observes the uniformity of the figures: "All lineaments are red in the clothing worn, the faces / Long, lined, expressionless, are all alike." This uniformity highlights the lack of individuality in the depiction of the apostles, further emphasizing the contrast with the distinct, realistic vegetables and dumplings.

Jarman introduces an interesting cultural and linguistic note: "In Bulgarian, the words for 'Last Supper,' somewhat ambiguous, / Mean 'holy or secret, enigmatic, mysterious meal.'" This ambiguity underscores the multifaceted nature of the Last Supper, where the meal is both sacred and shrouded in mystery. The ordinary objects, such as dumplings and parsnips, serve to demystify the scene, making it relatable and accessible.

The poem concludes with a powerful reflection: "As if to say: 'Just as you eat at your house. Any night.'" This final line suggests that the Last Supper, while sacred and significant, is also a relatable and universal experience. The inclusion of everyday items like dumplings and parsnips bridges the gap between the divine event and ordinary life, emphasizing the accessibility of the sacred.

In "Bulgarian Icon of the Last Supper," Mark Jarman masterfully explores the interplay between the sacred and the mundane, using vivid imagery and reflective language to challenge perceptions of holiness and ordinariness. The poem's attention to detail and contemplation of cultural and linguistic nuances invite readers to reflect on the profound connections between everyday experiences and divine moments, highlighting the universal nature of spiritual encounters.

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