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Classic and Contemporary Poetry: Explained | |||
In "Misgivings," William Matthews explores the complexities of love, fear, and the uncertainties that often accompany deep emotional connections. The poem begins with the speaker reflecting on their lover's concern about the possibility of growing tired of one another. This anxiety is juxtaposed with the speaker's affectionate comparison of their lover to "a great city" or "a park," both of which are entities that continually reveal new facets and beauty over time. The imagery suggests that the lover, like these places, is endlessly fascinating and capable of renewing the speaker's interest and affection. The metaphor of soil and rain further emphasizes the natural and sustaining nature of their relationship. The speaker reassures their lover that "Soil doesn't tire of rain," implying that their love is a natural, essential part of life, much like the relationship between soil and rain. However, the acknowledgment of natural disasters like floods and the peeling away of topsoil serves as a metaphor for the unpredictable and sometimes destructive forces that can impact relationships. The speaker recognizes the validity of their lover's fears, noting that "plans warp, / planes explode," highlighting the fragility and unpredictability of life. The poem delves deeper into the insecurities that stem from past experiences and the fear of repeating them. The speaker reflects on "those drab, / scuttled marriages we shed so / gratefully," suggesting a history of failed relationships that might fuel their lover's anxieties. These past failures, while seemingly liberating at the time, may also imply a pattern of dissatisfaction or inability to sustain long-term commitments. The phrase "we're on our owns / for good reasons" indicates a cautious acknowledgment of the challenges inherent in maintaining a lasting relationship. The poem takes a turn with the introduction of "Dread," personified as a chirpy presence that greets the speaker upon returning home. This characterization of fear as a constant, almost domestic companion emphasizes the pervasive nature of anxiety in everyday life. The speaker's awareness of "Experience" as a teacher highlights the paradox of wisdom gained through past mistakes—its "claustrophobic prudence" and the tendency to anticipate disasters can create a self-fulfilling prophecy of doom. In response to these fears, the speaker offers a gentle but firm resolution. Addressing their lover as "my wary one," they assert that "it's far too late / to unlove each other." This declaration acknowledges that their love, despite its complexities and potential pitfalls, is already too deep and entrenched to be undone. The proposed solution is simple yet profound: "let's cook / something elaborate and not / invite anyone to share it but eat it / all up very very slowly." This suggestion of creating and savoring a meal together serves as a metaphor for their relationship. It implies a deliberate, mindful approach to nurturing their bond, focusing on the present moment and the shared experience, rather than being consumed by fears of the future. The act of cooking something "elaborate" suggests a willingness to invest time and effort into their relationship, to create something unique and enjoyable together. The decision to "not / invite anyone to share it" emphasizes the intimacy and exclusivity of their connection, while "eating it / all up very very slowly" encourages savoring every moment, an antidote to the rush and anxiety of modern life. "Misgivings" ultimately offers a meditation on the challenges and joys of love. Matthews captures the delicate balance between acknowledging fears and choosing to embrace love despite them. The poem encourages a mindful, intentional approach to relationships, suggesting that while the future is uncertain, the present can be rich and fulfilling if cherished properly. Through vivid imagery and heartfelt introspection, Matthews invites readers to consider the importance of nurturing love with patience and care, even in the face of inevitable uncertainties.
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