Classic and Contemporary Poetry: Explained

In "Oxymorons," William Matthews explores the paradoxical nature of modern life through the lens of oxymoronic expressions. The poem begins with familiar examples like "summer school" and "jumbo shrimp," quickly establishing a playful yet critical tone. Matthews continues by listing other well-known contradictions: "friendly fire," "famous poet," "common sense," and "safe sex," each phrase highlighting the inherent absurdities and contradictions within societal norms and language.

The poem critiques these contradictions by pointing out how they reflect deeper societal issues. "Friendly fire" euphemistically describes tragic accidents in warfare, while "famous poet" and "common sense" point to the rarity and irony of these concepts. The term "safe sex" being referred to as "until very recently," acknowledges the evolving understanding and discussions around sexual health and safety.

Matthews extends this exploration into the political and social realm with phrases like "loyal opposition" and "social security." These terms reveal the contradictions within governance and societal structures. "Deliberate speed" and "dysfunctional family" further emphasize the disconnect between language and reality. The former phrase, often used in legal and bureaucratic contexts, highlights the slow nature of processes that are meant to be swift. The latter phrase suggests that even when dysfunctional, a family still operates, albeit in a flawed manner.

The poet's commentary becomes more pointed with the line, "Some things we say should coat our tongues with ash." This phrase suggests that certain phrases are so hypocritical or misleading that they should evoke a sense of shame or guilt. The reference to "Drug-Free School Zone" critiques the failure of such initiatives, pointing out that while society votes against higher property taxes, it simultaneously funds the substance abuse its children engage in. This stark reality underscores the dissonance between societal ideals and actions.

The poem's mention of "prepay" as a "one-word oxymoron" delves into the absurdity of financial language. Matthews humorously notes that money is "rich in such mischief," listing terms like "trust officer," "debt service," and "common thief." These phrases blur the lines between legality and morality, illustrating how language can obscure reality and truth. The image of phrases sagging "at the middle like decrepit beds" suggests the weakness and instability of these concepts, indicating how they fail to hold up under scrutiny.

Matthews concludes the poem with reflections on more profound contradictions, such as "religious freedom" and "assisted living." These phrases, while seemingly positive, carry inherent tensions and complexities. "Religious freedom" sounds appealing, but it often involves conflicts and limitations. "Assisted living" for the elderly evokes a comforting image, but it also hints at the loneliness and dependency that can accompany old age.

The final stanza captures a melancholic reflection on aging and mortality. The poet imagines waking up and not thinking about "living wills or property," instead longing for simple comforts like breakfast. This moment underscores the idea that as we age, material possessions become less important, and our memories become our true wealth—our "real estate." The phrase "cryptic dreams the many dead / swirl like a fitful snow" evokes a haunting image of memories and lost connections, highlighting the transient nature of life and the lasting impact of those we've lost.

"Oxymorons" is a sharp, reflective commentary on the contradictions inherent in language and life. Through the examination of various oxymoronic phrases, Matthews critiques societal norms, political rhetoric, and the human condition. The poem's humor and wit serve to underscore the seriousness of its themes, offering a thoughtful meditation on the complexities and paradoxes that define our existence.

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