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Classic and Contemporary Poetry: Explained | |||
The opening lines introduce Atlantis as an island emerging "out of immortal chaos," a place of both beauty and power: "Towers of topaz, trees of pearl / For maidens adored and warriors feared." This imagery imbues Atlantis with a sense of otherworldly splendor and majesty, setting it apart as a place of awe and reverence. The use of precious materials like topaz and pearl in describing the island's structures and nature adds to its mythical and legendary status. The transition to "Long ago it sunk in the sea" marks a shift from the glory of Atlantis to its downfall. The sinking of the island into the sea symbolizes not just the physical destruction of a place but also the loss of its grandeur and the mystery surrounding its existence. In the depths of the sea, Atlantis is now inhabited by creatures of the ocean: "Sea-worms above it whirl their lamps, / Crabs on the pale mosaic creep." These lines evoke a haunting underwater scene where the remnants of Atlantis are explored by sea life. The imagery of sea-worms whirling their lamps and crabs creeping on the mosaic remains of the once-great city creates a vivid picture of the underwater world where Atlantis now lies. The poem is a poignant reflection on the transient nature of even the greatest civilizations. Atlantis, once a symbol of magnificence, is now reduced to ruins at the bottom of the sea, its legacy living on only in legend and myth. Aiken's use of concise yet powerful imagery effectively captures the rise and fall of Atlantis, inviting the reader to ponder the ephemeral nature of human achievements and the enduring allure of lost worlds. In "Atlantis," Conrad Aiken skillfully employs the legend of the sunken city to explore themes of impermanence, loss, and the mysterious allure of the unknown. The poem serves as a testament to the enduring fascination with Atlantis and the human desire to explore and understand the mysteries of our past.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THE BOOK OF THE DEAD MAN (#11): 1. ABOUT THE DEAD MAN AND MEDUSA by MARVIN BELL THE BOOK OF THE DEAD MAN (#11): 2. MORE ABOUT THE DEAD MAN AND MEDUSA by MARVIN BELL THE BIRTH OF VENUS by HAYDEN CARRUTH LEDA 2: A NOTE ON VISITATIONS by LUCILLE CLIFTON LEDA 3: A PERSONAL NOTE (RE: VISITATIONS) by LUCILLE CLIFTON UNEXPECTED HOLIDAY by STEPHEN DOBYNS A DREAM OF THREE SISTERS by NORMAN DUBIE |
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