Classic and Contemporary Poetry: Explained

HELEN OF TROY DOES COUNTER DANCING, by MARGARET ATWOOD Poet Analysis Poet's Biography

"Helen of Troy Does Counter Dancing" is a poem by Margaret Atwood, published in her collection "You Are Happy" in 1974. The poem takes the classical mythological figure of Helen of Troy and reimagines her as a modern woman, reclaiming her power and agency through dance.

Explanation:

The poem begins by describing Helen of Troy's infamous beauty and the chaos it caused, but quickly moves to subvert this narrative by presenting Helen as a skilled dancer, capable of controlling her own movements and commanding attention. Atwood uses the metaphor of counter dancing, a form of traditional dance where the dancers move in opposition to one another, to emphasize the idea of agency and resistance.

Poetic Elements:

Imagery: Atwood uses vivid descriptions to create a clear image of Helen of Troy and her movements on the dance floor.
Metaphor: The metaphor of counter dancing is used throughout the poem to represent Helen's resistance and agency.
Tone: The tone of the poem is confident and empowering, as Helen takes control of her own narrative and identity.
Structure: The poem is written in free verse, with irregular line lengths and no consistent rhyme scheme. This reflects the idea of resistance and going against traditional norms.

Conclusion:

"Helen of Troy Does Countertop Dancing" by Margaret Atwood is a powerful and thought-provoking poem that challenges traditional notions of beauty, power, and gender roles. Through the character of Helen, Atwood critiques the objectification and commodification of women, and encourages readers to question societal norms and expectations. The poem's use of vivid imagery, irony, and allusion adds depth and complexity to its message, making it a standout example of Atwood's skill as a poet.

Poem Snippet:

Helen of Troy does counter dancing

two feet away from me

as I eat chips with garlic dip

and forget about the Middle East.