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Classic and Contemporary Poetry: Explained | |||
The poem begins with a broad acknowledgment of humanity's entanglement in wars, both those uninitiated by us and those we have started. This opening sets the stage for an exploration of the complex roles individuals and societies play in the perpetuation of conflict and the pursuit of peace. Bell's mention of being "perpetrators of peace through inaction" suggests a critique of passivity and the consequences of failing to intervene or speak out against injustice. As the poem progresses, Bell describes how collective actions can have unforeseen and often devastating outcomes, "slicing through air, landing before falling." This imagery captures the suddenness and violence of war, as well as the shattering of communities and ideals represented by the breaking of the circle by "marksmen." The reference to "shooting at truth" and the resultant breaking of unity and solidarity underscores the poem's meditation on the loss of innocence and the fracturing of societal bonds in the face of violence. Bell's recounting of historical conflicts, from the Boer War to Vietnam and Cambodia, serves to underscore the repetitive and regrettable pattern of warfare throughout modern history. The mention of "bad things happened on the homefront, too" broadens the scope of conflict to include domestic violence and societal upheaval, emphasizing that the effects of war penetrate deeply into the fabric of everyday life. The poem's closing lines, focusing on the collective gathering "not to remember the wars—but not to forget the regret," highlight a communal need to acknowledge and process the sorrow and remorse that accompany violence. Bell suggests that while the specific memories of war may fade, the underlying sense of regret and the desire to honor the losses endured remain potent and "green," symbolizing both the freshness and the enduring nature of grief. The final reference to "Kent State / May 4, 1990" serves as a poignant reminder of the consequences of governmental actions on its own citizens, specifically the killing of four students by the National Guard during a protest against the Cambodian Campaign. This event, and its commemoration twenty years later, encapsulates the poem's themes of regret, the cyclical nature of violence, and the green, persistent grief that colors our collective memory. "Green" is a powerful meditation on the human condition, war, and the inescapable legacy of conflict. Through his thoughtful and evocative language, Marvin Bell invites readers to reflect on the past, consider the consequences of our actions and inactions, and confront the enduring impact of grief and regret in the aftermath of violence.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...AFTER KENT STATE by LUCILLE CLIFTON BRIEF WYOMING MEDITATION by DIANE DI PRIMA AS IF HE WERE FREE by TESS GALLAGHER COSMOPOLITAN GREETINGS by ALLEN GINSBERG THE DAY THE AUDIENCE WALKED OUT ON ME, AND WHY by DENISE LEVERTOV WHY WE ARE TRULY A NATION by WILLIAM MATTHEWS AFTER TU FU (THEY SAY YOU'RE STAYING IN A MOUNTAIN TEMPLE) by MARVIN BELL |
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