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Classic and Contemporary Poetry: Explained | |||
The poem begins by acknowledging the old ways that have guided generations, now disappearing "as under the treading of many strangers ignorant of landmarks." This imagery sets the stage for a lamentation of the erosion of traditional knowledge and practices, felt most acutely in moments of communal gathering, such as a funeral. Despite the encroachment of modernity, with its "soft lights and hothouse flowers, the expensive solemnity of experts," the essence of the community's shared history and rituals—"the usages of old neighborhood"—persists. Berry highlights the communal act of mourning, where friends and kinsmen come together, not just in grief but in a shared recognition of their collective history and identity. This gathering is a link to the past, a reminder of a time "when even the gods were different." The funeral serves as a momentary reclamation of the old ways, a space where the community can reconnect with its roots amidst the homogenizing forces of modern life. The contrast between the "decorous" organ music and the raw, emotional expressions of faith and sorrow in "log churches" and "on naked hillsides by the open grave" underscores the tension between personal and communal grief and the more sanitized, impersonal expressions of mourning that have become common. Berry suggests that true solace and understanding come from the collective memory of the community, rooted in the land and its history. As the poem progresses, Berry laments the passing of the old ones, whose deaths often signify not just a personal loss but the loss of a way of life, as "a lifework perished from the land without inheritor." This loss is not merely sentimental but has tangible consequences for the land, which "goes wild" or is sold "at cash value into the hands of strangers." The gathering of "blood kin" and the speaking of "old men whose tongues bear an essential topography" are acts of remembrance, essential for preserving the identity of the community. Berry argues that memory, "hard earned," is a vital seed for the future, carrying the wisdom and knowledge of the past into the possibility of tomorrow. The poem ends with a call to return home, to the fields and the work that remain, as a duty to the dead and a commitment to maintaining the continuity of community and place. "At a Country Funeral" is a powerful elegy for the disappearing rural way of life, a critique of modern disconnection, and a clarion call to remember, return, and renew the bonds that connect us to our land and to each other. Wendell Berry's work reminds us that in the face of loss and change, our salvation lies in the land and in the community, the "seed of our life in this place.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THE FUTURE OF TERROR / 5 by MATTHEA HARVEY MYSTIC BOUNCE by TERRANCE HAYES MATHEMATICS CONSIDERED AS A VICE by ANTHONY HECHT UNHOLY SONNET 11 by MARK JARMAN SHINE, PERISHING REPUBLIC by ROBINSON JEFFERS THE COMING OF THE PLAGUE by WELDON KEES A LITHUANIAN ELEGY by ROBERT KELLY HOW TO BE A POET (TO REMIND MYSELF) by WENDELL BERRY OLD MEN ON THE COURTHOUSE LAWN, MURRAY, KENTUCKY by JAMES GALVIN |
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