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THE PHOTOGRAPH: THE LYNCHING, by             Poet Analysis     Poet's Biography

"The Photograph: The Lynching" by Lucille Clifton is a powerful and haunting poem that confronts the reader with the chilling reality of America's history of racial violence. Through the vivid and disturbing imagery of a photograph capturing a lynching, Clifton explores themes of collective memory, complicity, and the moral implications of witnessing such atrocities, both in the past and in the ongoing struggle for racial justice. The poem delves into the dichotomy between the savagery of the act and the seemingly mundane, even polite, demeanor of its spectators, thus probing the depths of human cruelty and societal acceptance of racial hatred.

The opening lines, "is it the cut glass / of their eyes / looking up toward / the new gnarled branch / of the black man / hanging from a tree?" immediately draw the reader into a scene of grotesque horror juxtaposed with a disturbing calmness. The "cut glass" metaphor suggests a sharpness and clarity in the gazes of the onlookers, implicating them in the violence through their act of witnessing. The description of the man as a "new gnarled branch" dehumanizes the victim while simultaneously evoking the naturalistic, almost serene imagery often associated with trees, further complicating the reader's emotional response to the scene.

Clifton then shifts focus to "the white milk pleated / collar of the woman / smiling toward the camera," a chilling portrayal of normalcy and even pride in the face of brutal violence. The detail of her "fingers loose around / a christian cross drooping / against her breast" introduces a stark contradiction between the professed values of Christianity and the inhumanity of the act being witnessed. This contrast serves to question the integrity of societal morals and the extent to which they are compromised by racial prejudice and violence.

The poem concludes by implicating "all of us" in the perpetuation of such violence, asking whether history has indeed captured us "into an / accurate album." This metaphor suggests that the legacy of lynching and racial violence is not just a collection of isolated events but a continuous narrative that shapes the collective American consciousness. Clifton's questioning of whether "we will be / required to view it together / under a gathering sky" challenges the reader to confront this shared history openly and collectively, implying a sense of impending judgment or reckoning.

"Ghe Photograph: The Lynching" stands as a poignant reminder of the atrocities of racial violence and the importance of remembering and acknowledging this dark aspect of American history. Clifton masterfully uses the poem to invite reflection on individual and collective responsibility in the face of such inhumanity, urging us to confront and address the underlying prejudices and systemic injustices that continue to permeate society. Through her vivid imagery and probing questions, Clifton not only memorializes the victims of such violence but also calls for a moral and ethical awakening to ensure that such horrors are never repeated.


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