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Classic and Contemporary Poetry: Explained

LITERATURE, by             Poet Analysis     Poet's Biography

"Literature" by Robert Desnos is a candid reflection on the nature of poetic creation and the tension between traditional literary forms and the authentic expression of individual voice. Through this poem, Desnos articulates a desire to break free from the constraints of conventional poetry, embodying a rebellious spirit that seeks to redefine the boundaries of literature. The poem oscillates between an admiration for the beauty of classical verses and a personal declaration of independence from the rigidity of formal structure.

The opening lines, "Today I'd like to write beautiful verses / Like those I read in school," reveal a nostalgia for the poetry that once inspired the speaker, acknowledging the impact of traditional literature on his dreams and imagination. This admission sets the stage for the poem's exploration of the allure and limitations of classical poetic forms.

Desnos's use of the phrase "It's also possible I'm a little nuts" injects a note of self-deprecating humor into the poem, signaling his departure from the solemnity often associated with literary pursuits. This line serves as a pivot, shifting the poem's tone from reverence to a more playful and irreverent stance towards the act of writing.

The comparison of traditional poetic composition to "the tedious work of an ant" emphasizes the laborious and uninspiring nature of adhering to strict literary conventions. Desnos expresses his frustration with the minutiae of syntax and structure, which he views as a hindrance to the creative process and a barrier to genuine expression. The mention of losing "my Latin my Chinese my Arabic in it / And even sleep, my obliging friend" underscores the exhaustive effort required to conform to prescribed literary standards, suggesting that such endeavors could lead to the loss of both linguistic mastery and rest.

In declaring, "So I'll write as I speak and never mind," Desnos champions the authenticity of the spoken word over the artificiality of formal poetry. This statement is a bold assertion of artistic freedom, privileging natural expression over the polished, but potentially insincere, language of traditional verse.

The anticipation of criticism from a "grammarian sprung from the half-light" reflects Desnos's awareness of the potential backlash from literary purists who might view his unconventional approach as a breach of literary decorum. However, his readiness to confront such criticism with "another science I can confuse him with" reveals a confidence in his own creative vision and an unwavering commitment to innovation.

"Literature" is a celebration of the liberating power of breaking from tradition to find one's voice. Through his playful defiance and embrace of spontaneous expression, Desnos asserts the value of personal authenticity over the constraints of formal structure. This poem is not only a reflection on the act of writing but also a declaration of artistic independence, inviting readers to reconsider the definitions and boundaries of literature itself. Desnos's work stands as a testament to the ongoing dialogue between tradition and innovation in the literary arts, highlighting the dynamic and evolving nature of poetic expression.


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