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Classic and Contemporary Poetry: Explained | |||
"The Music One Looks Back On" by Stephen Dobyns is an evocative poem that captures the essence of a tranquil domestic scene in early autumn, weaving together the ordinary sounds and activities of a household into a symphony of warmth and companionship. The poem celebrates the everyday moments that, though often overlooked, form the tapestry of memory and friendship. The setting is simple: a guest and a host, each engaging in morning routines that unknowingly contribute to a household concerto. The interplay of the water temperatures as the host washes dishes and the guest showers creates a dynamic, almost playful musicality, with "little groans" serving as the vocal expressions of discomfort or relief. These sounds become the unintentional melody of the concerto, dictated by the whims of plumbing rather than the intentions of the musicians. Dobyns introduces the radiators, another element of the house that adds to the ambiance, their "knocking" a percussive rhythm that signals the presence of warmth both physical and emotional. The children, their voices intermingling with the barking of the family dog, add to the complexity of the soundscape. It's a composition born of motion and life, the domestic bustle of a family in the throes of beginning a new day. The intimate moment of the host’s wife, still in the clutches of sleep, provides a softer, more tender layer to the composition. Her sighs and movements are like the gentle motifs that weave through the stronger themes, a reminder of the undercurrents of love and companionship that ground the piece. The host himself, standing at the sink, is both conductor and participant, humming to himself as he anticipates the breakfast to come, evidenced by the "crackle of bacon" and the aromatic presence of coffee. These sensory details are as much a part of the concerto as the audible ones, contributing to an atmosphere that is as rich and layered as the music it inspires. What is most poignant about Dobyns' poem is the revelation that these musicians—the guest, the children, the wife, and even the dog—are unaware of their participation in the concerto. It's a spontaneous creation, an artistry born from the mundane, a music felt rather than heard. It's the sort of symphony that one doesn't realize is being written in the moment, but which, upon reflection, forms a harmonious memory. The closing of the poem shifts from the interior warmth of the house to the crispness of an autumn walk through the fields. Here, the focus is on the rekindling of a friendship between two people who "haven’t seen each other for over a year." Their shared experience, the peace of the day, the vivid "golden yellow" of the leaves, and the "geese flying south out of winter" become the enduring memory, a "soft place to look back on." Dobyns' "The Music One Looks Back On" is a reflection on how the ordinary moments of life compose the score of our memories. It is a reminder that the music of our lives is often found not in grandiose symphonies but in the quiet, everyday harmonies that accompany us as we build our lives in the company of others.
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