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THOUGHTS AT THIRTY-THOUSAND FEET, by             Poet Analysis     Poet's Biography

"Thoughts at Thirty-Thousand Feet" by Stephen Dobyns offers a contemplative, almost existential reflection on human desire, greed, and the unending pursuit of "more." Written from the perspective of a traveler, likely flying among fellow businesspeople or "soldiers of the dollar," the poem delves into the nature of discontent and the human ear as a metaphor for our incessant yearning for more.

The poem begins with a whimsical yet profound interrogation posed by a penny, which personifies the mundane triggering deep existential questions: "Why boredom? Why bread? Why cereal without sugar?" This sets the stage for exploring how discontent seeps into human consciousness from an early age. The child in the poem, engaged in innocent activities like sniffing flowers or caring for a puppy, becomes aware of the concept of "more" through the sound of money—nickel clinking against nickel. This sound signifies the beginning of desire, of wanting beyond immediate needs, and marks the child's first step toward perpetual dissatisfaction.

Dobyns then shifts focus to a unique physical attribute—the human ear—which he notes continues to grow throughout one’s life, unlike other body parts. This ongoing growth symbolizes an unceasing readiness to listen to new offers, new possibilities of acquiring more, thus becoming a powerful image of human greed and the inability to find contentment. The description of elderly ears as "the cross section of a boiled red pepper" evokes a sense of something overripe, overly enlarged, burdened by a lifetime of straining after material gains.

As the scene moves back to the plane, the narrator observes his companions, "the soldiers of the dollar," in a moment of rare peace. Their tools for counting and acquiring wealth are temporarily put away as they rest, their ears metaphorically closing "like flowers." This image suggests a temporary respite from their relentless pursuit, a brief moment when they are not driven by their desires.

However, the peace seems superficial or temporary as Dobyns darkly notes that even in sleep, the ears continue to hear the whispers of temptation, "More and Not Enough." This haunting refrain underscores the insatiable nature of human desire, which not even death can quell. The poem concludes with a macabre image of the dead whose ears still expand in their graves, metaphorically listening for opportunities to acquire more, even in the afterlife. The "fat stone" with their names acts as a barrier to contain this unending expansion, a grim reminder of the finality that bounds human greed.

"Thoughts at Thirty-Thousand Feet" is rich in its philosophical query and poignant in its commentary on modern life's materialistic pursuits. Through vivid imagery and thoughtful personification, Dobyns crafts a powerful meditation on the human condition, exploring how our very anatomy betrays a deeper psychological and cultural malaise—an eternal dissatisfaction and the endless pursuit of more that ultimately defines and confines us.


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