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Classic and Contemporary Poetry: Explained | |||
In "Decrypting the Message," Edward Field presents a humorous and philosophical exploration of self-identity and personal rejuvenation through the metaphor of a cryptic message received while looking in the bathroom mirror. The poem plays with language and metaphor, blurring the lines between literal and figurative meanings while touching on themes of aging, sexuality, and self-acceptance. The poem opens with a vivid scene: "It came to me in the bathroom while looking at myself in the mirror." This everyday setting immediately grounds the reader in a relatable experience. The speaker then describes the sudden realization that struck him: "The message just shot into my mind: / RECLAIM THE TOP." Initially, the speaker interprets this as a reference to his baldness, assuming it advises him to reclaim "a distant, a neglected, part of me—the top of my head." However, as the poem unfolds, the speaker becomes uncertain of the message’s exact meaning, particularly when a new message follows: "now comes another message—this time to reclaim the bottom as well as the top." This additional instruction complicates his understanding of the first message and broadens its implications. He interprets this as a suggestion to regain both his hair (top) and his masculinity (bottom): "take back my hair above, and my cock below, / both half-relinquished in life's struggle." Field then injects humor and cultural reference into the poem, introducing a quote from Cole Porter’s song "You're the Top": "And the top, as Cole Porter says, / is defined by the bottom, as in, / 'Darling, if I'm the bottom, you're the top.'" The speaker recognizes that Porter’s lyrics refer to sexual roles, playfully acknowledging the double entendre. The humor here reflects the shifting definitions and expectations of sexuality. Despite his playful interpretation, the speaker admits to ambiguity in the messages, stating, "Only in a limited sense, then, do the messages mean to take back my hair above, and my cock below." Instead, he contemplates the deeper implications of reclaiming the "top" and "bottom," suggesting a broader rejuvenation of self. The messages prompt him to move beyond his narrowed, defensive self-concept: "as I've withdrawn over the years / from both top and bottom / and clenched myself, fist-like, in the center." Field then broadens the metaphor further, noting that the "top" may actually lie "somewhere / 'out there' beyond me." He emphasizes the importance of a "solid bottom" as foundational for self-reclamation and self-confidence: "A solid bottom seems basic, though, and reclaiming it possible, / like learning to stand on the whole bottom of your feet." Despite the ambiguity of the messages and the mysterious identity of their source ("who 'they' are"), the speaker finds beauty in the message itself: "The beautiful message remains, / RECLAIM THE TOP and stand tall." Here, the instruction transcends its literal interpretations to become a broader call for self-empowerment and self-acceptance. Structurally, the poem is written in free verse, reflecting the speaker’s stream-of-consciousness pondering. The casual, conversational style allows Field to weave humor and philosophical reflection seamlessly, maintaining the reader’s engagement. The use of all caps for "RECLAIM THE TOP" gives the message a commanding presence, reinforcing its significance within the poem. "Decrypting the Message" ultimately reflects Edward Field’s distinctive blend of humor, wit, and philosophical inquiry. By playfully interpreting the cryptic messages received in the bathroom mirror, he encourages readers to embrace ambiguity and uncertainty while striving for personal empowerment. The poem’s exploration of aging, sexuality, and self-acceptance resonates through its vivid imagery, cultural references, and engaging language, making it a compelling reflection on the journey toward understanding oneself.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...CHAMBER MUSIC: 24 by JAMES JOYCE PORTRAIT WITH BROWN HAIR by DONALD JUSTICE OPENING HER JEWEL BOX by WILLIAM MATTHEWS THE BLONDE SONATA by JOHN FREDERICK NIMS THE SONG CALLED HIS HIDE IS COVERED WITH HAIR by HILAIRE BELLOC THE WOMEN WITH FABLED HAIR by MADELINE DEFREES |
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