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Classic and Contemporary Poetry: Explained

MORE THAN NEW, by             Poet Analysis     Poet's Biography

In Linda Gregg's poem "More Than New," the narrative unfolds with a vivid portrayal of a dynamic scene where music, movement, and emotional expression converge. The poem captures a moment of intense interaction between a man and a woman, with the men playing guitars and the woman dancing, embodying the essence of struggle and pride.

The poem begins with the description of the man singing, while the woman "turns from side to side, flouncing her skirt / and stomping." This imagery sets the stage for a raw display of emotion and movement, emphasizing the physicality of their interaction. The act of stomping and flouncing suggests a dance of resistance and assertion, highlighting the woman's defiance and pride. The men's guitars underscore the rhythm of the scene, adding a layer of musical intensity to the physical performance.

As the man continues to sing, his passion escalates, "He begins to sing again. She stamps harder / but it is not big enough. The man sings / so hard it breaks the song and becomes wailing." This progression from singing to wailing signifies a breakdown of conventional boundaries, merging music with raw emotion. The woman’s increased intensity mirrors this escalation, but despite her efforts, the song’s power transcends her dance, transforming into a wail—a poignant expression of unbridled emotion and despair. This moment of convergence and conflict is charged with the tension between effort and its transcendence, highlighting the futility and power inherent in their struggle.

The poem then shifts to a philosophical reflection on existence and the divine. Gregg writes, "The Spirit Neither Sorts nor Separates / There is a flower. We call it God. / It closes and opens and dies." This stanza introduces a contemplative tone, suggesting that the divine is present in the mundane, encapsulating the cycles of life and death. The flower's opening and closing symbolize the transient beauty and the inherent impermanence of all things, while the stone that "does nothing and is still God" emphasizes the idea of the divine in the static and the silent, further blurring the lines between the sacred and the ordinary.

Gregg continues to explore the interconnectedness of all elements in the natural world: "Everything is of Heaven. There is mud / around the edge of the pond. / There are reeds, water lilies / and a few dragonflies. The pond is light / and dark and warm because of the sun." Here, the poem’s imagery of the pond, the reeds, and the lilies creates a vivid tableau of a natural ecosystem, portraying a world where the mundane and the divine coexist seamlessly. The “hidden fish” and “the air itself” reinforce the idea that the divine is present in the unseen and the subtle, further emphasizing the poem's theme of omnipresence.

The final stanzas return to a more personal reflection, encapsulating the essence of the poem's message: "The bush outside is full of three and four / kinds of birds. Winter birds instead / of leaves. The snow over ground is enough. / The birds hopping and feeding / and departing are flowers, / a mouth singing, your heart the way it was." This imagery reflects on the abundance of life and the beauty found in simplicity. Birds, flowers, and the act of singing symbolize the interconnectedness of all beings and the persistent beauty of existence, despite its challenges. The mention of "your heart the way it was" suggests a return to a primordial state of being, untouched by time or suffering, evoking a sense of nostalgia and timelessness.

In conclusion, "More Than New" is a rich tapestry of imagery and emotion, blending the visceral with the philosophical. Through its exploration of music, movement, and the natural world, Linda Gregg's poem invites readers to contemplate the essence of existence and the divine in the everyday. The poem’s powerful conclusion, with its vivid images and profound reflections, underscores the enduring strength and beauty of life, resonating with the timeless dance of creation and destruction.


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