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Classic and Contemporary Poetry: Explained

PICTURE OF A NATIVITY, by             Poet Analysis     Poet's Biography

Geoffrey Hill's poem "Picture of a Nativity" employs a striking juxtaposition of vivid imagery and religious symbolism to offer a complex and contemplative view of the nativity scene. Hill's depiction diverges from traditional portrayals, imbuing the scene with a sense of desolation and otherworldliness that challenges and deepens the reader's understanding of this pivotal moment in Christian theology.

The poem opens with the phrase "Sea-preserved, heaped with sea-spoils," immediately conjuring an image of the nativity scene not as a stable in Bethlehem, but as a place shaped by the sea's relentless power. The "ribs, keels, coral sores" and "Detached faces, ephemeral oils" suggest remnants of shipwrecks or the detritus of marine life, symbolizing decay and the passage of time. This imagery of the sea as a preservative force contrasts with its destructive capabilities, setting a tone of ambiguity and complexity.

The "dumb child-king" who "Arrives at his right place" represents the infant Jesus. Describing him as "dumb" emphasizes his innocence and vulnerability. The phrase "rests, / Undisturbed, among slack serpents; beasts / With claws flesh-buttered" continues to subvert traditional nativity imagery. Instead of the usual peaceful animals, Hill's beasts are predatory and unsettling, creating a sense of tension and danger around the Christ child.

In the "gathering / Of bestial and common hardship," Hill brings "artistic men" into the scene. These "artistic men" likely symbolize the Magi or wise men, traditionally seen as figures of wisdom and learning who come to worship Jesus. However, Hill's choice to label them as "artistic men" may indicate a broader interpretation, suggesting that human creativity and cultural achievements also recognize and pay homage to the divine. Their act of falling down and worshiping emphasizes their recognition of the sacred amidst the profane, finding "Familiar tokens" and believing "their own eyes."

The poem's climax is marked by the presence of "Angels, their unnatural wings displayed," who "Freeze into an attitude / Recalling the dead." This depiction of angels is far removed from the comforting, ethereal beings of popular imagination. Instead, they appear rigid and unnatural, their wings a stark reminder of mortality and death. This unsettling image calls to mind the fragility of life and the inevitability of death, even in the context of a scene meant to celebrate birth and new beginnings.

Hill's "Picture of a Nativity" thus transforms the familiar biblical story into a tableau rich with ambiguity and complexity. The poem's imagery of sea-spoils and predatory animals, alongside the artistic men and unnaturally rigid angels, invites readers to contemplate the nativity not just as a moment of divine intervention, but as a scene that encompasses the full spectrum of human and natural experience. The poem's unsettling elements underscore the paradoxes of life and death, vulnerability and power, and the sacred and the profane, challenging readers to see the nativity in a new and profound light.


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