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A MINOR VAN GOGH (HE SPEAKS), by             Poet Analysis     Poet's Biography

Alicia Suskin Ostriker's poem "A Minor Van Gogh (He Speaks)" presents an imagined monologue of a painter, possibly echoing Vincent van Gogh, as he reflects on the vibrant and dynamic process of his art. The poem explores themes of creation, vitality, and the spiritual connection between the artist, the natural world, and the divine.

The opening line, "The strokes are pulses," immediately establishes the act of painting as a living, breathing process. The word "pulses" suggests that each brushstroke is infused with life and energy, as if the artist’s very heartbeat is transferred onto the canvas. This connection between the physical act of painting and the vitality of life underscores the deep, almost visceral bond the artist feels with his work.

The poem then moves through a vivid description of the landscape being painted: "from my shapely cloud / And sky descending to distant hills / And closer hills, there is a far white tower / That rests." The painter's use of "shapely cloud" and "sky descending" suggests a careful, intentional crafting of the natural world. The hills, both distant and closer, create a sense of depth and perspective, leading the viewer’s eye toward "a far white tower / That rests." This tower, a central element in the painting, symbolizes a point of stillness and rest amid the dynamic landscape.

As the poem continues, the artist turns his attention to the "muddy earth / Of ochre and purple strips," emphasizing the earthy tones and textures that ground the scene. The "soft clay" and "bushy juicy green in the corner" evoke the richness and fertility of the land, highlighting the tactile, sensory experience of working with paint. The artist’s focus on color and texture reflects van Gogh’s own style, known for its bold, expressive use of color and thick, impasto brushstrokes.

The introduction of "my plowman whom I make at Dawn" shifts the poem’s focus to a human figure, adding a narrative element to the scene. The plowman, "forever following his horse / Down the middle of the world," becomes a symbol of labor, persistence, and the eternal cycle of life. The mention of "Dawn" suggests a new beginning, a fresh start each day, as the plowman continues his work, emblematic of human resilience and connection to the earth.

The poem then emphasizes the unity of all elements within the painting: "The strokes / Rush forward, waving their hats, identical, / All elements alike, all particles / Of Christ's material dancing." Here, the artist sees every part of the painting as interconnected, each stroke and element contributing to a harmonious whole. The phrase "Christ's material dancing" introduces a spiritual dimension, suggesting that the artist views his work as a manifestation of the divine. The idea of "dancing" particles conveys a sense of joy and celebration in creation, where even the smallest details are alive with purpose and meaning.

The closing lines, "even / The shadowed furrow saying I exist, I live! / I also live, and make this form of Christ, / Locked in the light of earth, compassionate," bring the poem to a profound conclusion. The "shadowed furrow" in the earth, typically seen as a place of darkness, declares its existence and vitality. This declaration of life extends to the entire painting, where every element, from the earth to the sky, contributes to a greater spiritual expression. The artist sees himself as a creator, akin to Christ, bringing forth life and compassion through his art. The phrase "locked in the light of earth" suggests that this divine form is grounded in the physical world, yet radiates compassion and love.

"A Minor Van Gogh (He Speaks)" is a rich and evocative poem that delves into the mind of an artist deeply connected to his work. Through vivid imagery and spiritual reflection, Ostriker captures the intensity and passion of the creative process, where every stroke of the brush is an act of giving life and expressing the divine. The poem invites readers to consider the profound relationship between art, nature, and spirituality, and the enduring power of creation to reflect and celebrate the vibrancy of existence.


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