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ELEGIES: FOURTH ELEGY. THE REFUGEES, by             Poet Analysis     Poet's Biography

Muriel Rukeyser's "Fourth Elegy: The Refugees" is a profound meditation on displacement, identity, and the resilience of the human spirit. Through vivid imagery and a poignant narrative, Rukeyser explores the experiences of refugees, particularly children, who are forced to navigate a world marked by conflict and loss.

The elegy opens with a child sitting alone, contemplating her future and expressing a desire to write for her race. The notion of race is complicated by the child's American identity, suggesting a broader, more inclusive sense of belonging: "I want to write for the living." The poem immediately situates the reader in a landscape of constant flux, where new faces emerge daily, each person marked by their struggles to escape perilous circumstances. The imagery of children "occupied with escape" and "freezing in the passes" paints a stark picture of the refugee experience, marked by peril and uncertainty.

Rukeyser juxtaposes the innocence and hope of children with the harsh realities of their journeys. The reference to knights rather than angels suggests a more active, combative role for these young individuals, as they confront the challenges ahead. Many become "artists at rejection," a powerful phrase that captures the creative resilience born out of their suffering and exclusion. The world they inhabit is described as "a hairy apparent star" with "not a public saint in sight," highlighting the absence of visible saviors or miracles in their lives.

The poem delves into the "age of the masked and the alone," where sinister forces and tyrannies rise, symbolized by "palace birds of the new tyrants" and a sky filled with omens of disaster—rain, blood, milk, famine, iron, and epidemic. This imagery underscores the pervasive sense of doom and the overwhelming obstacles that refugees face.

Rukeyser then shifts to the personal and communal aspects of refugee life. The characters of traditional narratives—heroes, saints, and martyrs—are replaced by "ventriloquists and children," emphasizing the surreal and fragmented nature of their existence. The child's journey is central to the poem, symbolizing the future and the hope for renewal. As they run "like lemmings," building their bodies to withstand the full stream of life's challenges, they are preyed upon by predatory forces but also show remarkable resilience.

The poem poignantly describes the physical and emotional toll of displacement: "Cut. Frozen and cut. Off at the ankle. Off at the hip. / Off at the knee. Cut off." This brutal imagery captures the fragmentation and loss experienced by refugees as they traverse harsh landscapes and face hostile environments. Despite these hardships, there is a sense of determination and superiority that arises in moments of crisis, as they become "superior to themselves."

Rukeyser's elegy is also a critique of those who have historically carried the guilt and blame of these tragedies. The poem suggests that the news bearers and storytellers are complicit in perpetuating this guilt, feeling "murder in himself" as they recount tales of suffering and suicide. This guilt is intertwined with a complex mix of pride and sickness, reflecting the ambivalence and struggle to come to terms with these narratives.

The poem moves towards a vision of healing and renewal, invoking images of a "phoenix at play among the peonies" and a "bell-ringing god" descending for the healing of hell. The line of children walking down a shadowed street, each one seeing a younger version of themselves ahead, symbolizes the continuity of life and the enduring hope for a better future. This imagery suggests that despite the cycles of violence and displacement, there is a possibility for growth and transformation.

The closing lines emphasize the resilience and strength of these refugee children. They are described as "the strong," who see the enemy and dream of a world where the relaxed heart comes to power. They are the real creation of a fictional character, embodying the potential to "fuse a dead world straight." This powerful image highlights their role in reclaiming the world and sowing new legends, repairing broken promises, and avenging past wrongs.

Rukeyser's "Fourth Elegy: The Refugees" is a moving testament to the resilience of displaced individuals, particularly children, who navigate a world of conflict and loss with remarkable strength and creativity. Through rich imagery and a profound narrative, the poem captures the complexities of displacement and the enduring hope for renewal and transformation.


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