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TOWER OF DARKNESS, by             Poet Analysis     Poet's Biography


"Tower of Darkness" by John Ashbery presents a vivid tableau of introspection and existential contemplation, marked by the poet's characteristic blending of the abstract with the tangible. This poem, through its enigmatic imagery and nuanced emotional landscape, explores themes of isolation, longing, and the cyclical nature of life and death.

The opening line, "I cannot remain outside any longer in the cold and pervasive rain," immediately establishes a sense of discomfort and urgency, a need to escape from an unwelcoming external environment into a place of warmth and refuge. However, the subsequent desire for "a ball of light in the shaggy interior other people have" reveals a deeper yearning for enlightenment or understanding, a sense of belonging that the speaker feels deprived of. This internal light is contrasted with the external coldness, symbolizing the dichotomy between inner warmth and outer hostility, between perceived fulfillment in others and the speaker's own sense of lack.

The decision to "go away without fetching a grain from the earth" suggests a resignation, a refusal or inability to take part in the natural cycle of growth and sustenance. This line, coupled with the image of a "compact, / with the climbing design / we knew and hated so well," evokes a sense of entrapment in predetermined patterns or structures that are both familiar and loathed. The resignation to death, "when it was our turn to die we just gave up, mumbling some excuse," underscores a fatalistic acceptance of life's end as inevitable, devoid of drama or resistance.

The question "Do you often go to see them?" shifts the focus from introspection to external relations, pondering the connection between the speaker and others who are similarly disconnected or dispossessed. The mention of their "footprints, foreclosed by snow" implies a transient presence, paths that are erased or obscured, symbolizing the fleeting connections and the barriers to understanding or intimacy.

The reference to "the barker whose patter started it well before we were awake" introduces an element of external influence or disturbance, a voice that intrudes upon and shapes consciousness before one is fully aware. This voice, heralding the dawn "that grizzles, now, a fright to be wished, to be read," suggests an unwelcome but necessary awakening to reality, a confrontation with fears and uncertainties that must be faced and interpreted.

The poem concludes with a longing for "the old healing that will come again in time," a hopeful yet ambiguous nod to the possibility of renewal or recovery. This healing is set in the future, an antidote to the present darkness, yet its nature and arrival are uncertain, leaving the speaker in a state of hopeful anticipation amidst the prevailing gloom.

"Tower of Darkness" is a complex meditation on the human condition, weaving together themes of alienation, the search for meaning, and the hope for redemption. Ashbery's use of evocative imagery and layered meanings invites readers to explore the depths of their own experiences of darkness and light, isolation and connection, despair and hope. The poem stands as a testament to Ashbery's ability to capture the ineffable nuances of emotional and existential inquiry, leaving a lasting impact on the reader's understanding of the self and the world.


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