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SONG OF THE HEN'S HEAD, by             Poet Analysis     Poet's Biography


"Song of the Hen's Head" by Margaret Atwood is a poignant and evocative poem that delves into themes of mortality, disembodiment, and the search for meaning in the face of death. Through the metaphor of a hen decapitated for food, Atwood explores the profound disconnect between the physical body and the consciousness that once inhabited it, offering a meditation on the nature of existence and the finality of death.

The poem begins with the hen's head on the chopping block, having just experienced "the abrupt collision with the blade, the Word." This "Word" is loaded with significance, suggesting both the literal cause of death and a metaphysical invocation of finality and judgement. The hen's eyes, "drawn back into their blue transparent shells like molluscs," symbolize the withdrawal of life and the retreat into an internal world, separated from the physical reality of the body.

As the hen contemplates the Word, its body, described as "never much under my control" and "always inarticulate," continues to move "at random through the grass." This image captures the grotesque yet strangely poignant disconnect between the head, the seat of awareness and thought, and the body, now reduced to a "plea for mercy" and a "single flopping breast." The body's continued movement, even in the absence of life, serves as a metaphor for the instinctual, often futile, struggle for survival that characterizes all living beings.

The description of the hen's body being pursued by "scavengers intent on rape" who covet its "treasures" – its "warm rhizomes, enticing sausages, its yellow grapes, its flesh caves" – highlights the commodification and objectification of the body in death. This imagery underscores the brutality and indignity of being reduced to mere "five pounds of sweet money," a resource to be exploited.

In contrast to the frenzied and undignified scramble for the hen's body, the head remains "dispensible and peaceful," detached from the physical tumult and focused on the Word. The head's final contemplation of the Word as "an O, outcry of the useless head, pure space, empty and drastic" reflects a profound existential realization. The "O" represents both the outcry and the void left by death, the ultimate emptiness that follows the cessation of life.

The poem concludes with the revelation that the last word uttered by the hen, and perhaps by extension, the final realization of all beings facing death, is "No." This "No" is both a denial of death's erasure and a final assertion of existence, albeit in the negative. It encapsulates the struggle against the inevitable, the desire to assert agency even in the moment of ultimate powerlessness.

"Song of the Hen's Head" is a deeply reflective and unsettling exploration of the boundary between life and death, the value of the individual in the face of oblivion, and the search for meaning within the cycle of life and consumption. Atwood's use of vivid imagery and symbolic language invites the reader to confront the reality of mortality and the paradoxes inherent in the quest for understanding and transcendence.


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