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Classic and Contemporary Poetry: Explained

[IN COLORADO, IN OREGON, UPON], by                 Poet's Biography


"In Colorado, In Oregon, upon" by Joshua Beckman is a reflective and contemplative poem that navigates through themes of distance, longing, the mundane interactions with the physical world, and the overarching quest for forgiveness and connection. Through a series of seemingly disparate observations and statements, Beckman weaves a cohesive narrative that reflects on human relationships, the passage of time, and the nature of personal and collective experiences.

The poem begins by situating the reader in specific geographic locations, Colorado and Oregon, immediately invoking a sense of place and the personal connections that tie the speaker to these locations. The mention of birthdays celebrated on "each beloved fork" serves as a metaphor for the diverging paths and moments of celebration that mark our lives, yet also highlights the speaker's sense of missing out or being distant from loved ones: "I miss each and every one of my friends."

Beckman's assertion, "I believe in getting something for nothing," introduces a philosophical reflection on the nature of value and the desire for effortless gain, which contrasts with the subsequent mundane action of pushing a chair. The reassurance that "the chair won't mind" infuses the poem with a sense of whimsy and a contemplation of the interactions between humans and the inanimate objects that populate our lives, suggesting a deeper consideration of how we imbue our environment with meaning and expectation.

The transition to "And beyond hope, I expect it is like this everywhere" expands the poem's scope from the personal to the universal, expressing a yearning for a shared human experience characterized by comfort and continuity: "Music soothing people. Change rolling under tables." These lines capture the everyday moments and the subtle, often overlooked occurrences that define our existence, emphasizing the beauty found in the ordinary and the cyclical nature of life.

The "immaculate cutoff so that we may continue" and the image of "A particular pair of trees waking up against the window" suggest a renewal and a conscious separation from the past or from elements of life that hinder progression. This idea is further explored in the lines that follow, which delve into the complexities of forgiveness, the need for self-reflection, and the recognition that moving forward often requires letting go of grievances and embracing change.

The poem's reflection on the contributions of "Great forward-thinking people" who "brought us the newspaper" juxtaposes the ideal of progress with the reality of how these advancements are utilized or misused by society. Beckman calls for a collective moment of forgiveness, implying that amidst the noise and chaos of the modern world, there remains a potential for clarity, understanding, and the achievement of "unmistakable quality."

Beckman concludes with an urgent appeal to recognize the value of the present and the opportunities for connection and redemption that exist within it: "Don't wait for anything else." This closing statement serves as a reminder of the immediacy of life and the importance of engaging fully with the world and with each other.

"In Colorado, In Oregon, upon" is a meditation on the interconnectedness of personal experience, the physical world, and the broader human condition. Through its exploration of longing, interaction, and the pursuit of forgiveness, the poem invites readers to consider the ways in which we navigate our relationships, the spaces we inhabit, and the potential for growth and renewal that lies within moments of understanding and reconciliation. Beckman's work is a testament to the power of poetry to capture the complexity and beauty of human life, urging us toward a deeper engagement with the world and with each other


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