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Classic and Contemporary Poetry: Explained | |||
The poem begins with a meeting in a "lateral tunnel at great depth," immediately setting a scene of subterranean exploration that symbolizes the deep dive into the psyche or the soul. The narrator, equipped with a "Davy lamp" — a light in the darkness, representing insight or enlightenment — encounters another figure whose "seamed face... coagulates" from the darkness, suggesting the gradual formation or realization of identity from the void of the unknown. This encounter, marked by the revelation that "the bird in the cage I carry has died," serves as a poignant metaphor for lost hope or innocence, highlighting the poem's exploration of disillusionment and the weight of knowledge. The dialogue between the narrator and the encountered figure unfolds with cryptic messages and riddles about the universe, suggesting the elusive nature of truth and the perpetual human quest to solve the existential mysteries of life. The interaction is fraught with symbolic gestures and exchanges that underscore the surreal, dream-like quality of the narrative, blurring the lines between reality and fantasy, between the literal and the metaphorical. The mention of "the wrong level" and the advice to return "to the pit-head" reflect the themes of misdirection and the search for the right path in life. The poem's setting in the mine, with its shafts and tunnels, serves as a powerful metaphor for the depths of the human condition — the dark, often confusing pathways we navigate in search of clarity and purpose. The narrative's progression through bizarre tasks and surreal instructions, including the acquisition of a dollar bill for the purpose of buying "a ball-point pen & five blue (examination) booklets," further amplifies the sense of a quest or trial. These elements, seemingly mundane, are transformed into symbols of the search for knowledge and the tools needed to document and understand one's journey. As the poem unfolds, the lines between the self and the other blur, with reflections and shadows merging. The encounter with the "plastic goggles" and the reflection of "my self, indistinctly" emphasizes the poem's meditation on self-perception and the fluidity of identity. The journey leads to encounters with various figures, including a woman who claims to lead the narrator away from "pitfalls," yet the direction she takes is "a suspect tangent." This interaction, like those before it, is laden with ambiguity and the tension between trust and doubt, guidance and misdirection. The concluding sections of the poem weave together themes of labor, desire, and the passage of time, with the "whistle at the pit-head" serving as a call back to reality or perhaps to a different level of understanding. The imagery of "coaldust on her sheets" and the "hard mattress" juxtapose the harsh realities of physical labor with the intangible pursuits of the mind and spirit. "Weight Less Than the Shadow" culminates in a reflection on the nature of existence — "The stars are insatiable holes" — and the endless human endeavor to illuminate the darkness of the unknown with the Davy lamps of our questing spirits. The poem, through its dense imagery and complex narrative structure, invites readers into a profound meditation on the depths of the human psyche, the elusive nature of truth, and the perpetual journey toward understanding in a world that remains, fundamentally, a mystery.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...EPIGRAM: 45. ON MY FIRST SON by BEN JONSON IN WESTMINSTER ABBEY by THOMAS BAILEY ALDRICH THE LAY OF ST. NICHOLAS by RICHARD HARRIS BARHAM ROAD AND HILLS by STEPHEN VINCENT BENET PROVERBS 31:25-29. THE MOTHER OF THE HOUSE by OLD TESTAMENT BIBLE THE GHOST OF ABEL; A RELATION IN THE VISIONS OF JEHOVAH by WILLIAM BLAKE THE IDLERS by EDMUND CHARLES BLUNDEN ETERNAL BEAUTY by GRACE EVELYN BROWN MASQUE AT THE MARRIAGE OF THE EARL OF SOMERSET: CHORUS (3) by THOMAS CAMPION |
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