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Classic and Contemporary Poetry: Explained

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In "Print," Billy Collins presents a contemplative exploration of art, time, and perception through the depiction of a simple fish print hanging in a dining room. This poem delves into the illusion of motion and life within the static medium of a print, extending the metaphor to encompass the broader themes of art's ability to capture and transcend moments in time. Collins uses the fish as a symbol to discuss the enduring nature of art and its capacity to evoke emotion, stimulate imagination, and connect the temporal with the eternal.

The poem opens by grounding the reader in a familiar domestic setting: a dining room where a brown fish, depicted in a print on the wall, appears to swim in its frame. This fish, illuminated by candlelight during dinner, becomes a focal point for reflection. The notion that the fish "swims along in his frame while we are eating dinner" introduces the central paradox of the poem: the fish is simultaneously in motion and still, captured in a moment yet perpetually alive within its artistic representation. This duality invites the reader to ponder the relationship between reality and representation, and the ways in which art animates the inanimate.

Collins enhances this meditation on art and permanence by suggesting that the fish has been swimming "forever, even in the darkness of the ink before someone thought to draw him." This line evokes the idea that the essence of the fish, and perhaps the essence of all subjects captured in art, exists beyond the physical act of creation. The mention of "the darkness of the ink" alludes to the potentiality that precedes artistic realization, a space where all subjects exist in a formless state before being brought to life through the artist's medium. This notion extends the fish's existence both backward and forward in time, granting it a kind of immortality.

The imagery of the "thin reeds waving in his stream" and "the clear pebbles strewn upon the sand" further enriches the scene, adding layers of detail that root the fish in a believable, albeit crafted, habitat. These elements highlight the artist's ability to create a world within the confines of a frame, inviting the viewer to immerse themselves in an imagined reality. The persistence of the fish's movement, "deep into the night, long after we have blown out the candles and gone upstairs to bed," underscores the poem's theme of the timeless quality of art. The fish, through its unending swim, becomes a symbol for the constancy of artistic expression and the enduring impact of creative endeavors.

The final image of the poem, finding the fish "still swimming, still looking out at me with his one, small, spellbound eye" in the "pale morning light," reinforces the connection between the observer and the observed. This interaction suggests a mutual recognition, a shared existence between the viewer and the subject of art. The fish's "spellbound eye" implies a kind of magic inherent in art, the ability to hold the viewer in a moment of contemplation and wonder, bridging the gap between the temporal world and the eternal.

"Print" is a reflective piece that uses the image of a fish in a print as a conduit for exploring the nature of art, the illusion of movement within stillness, and the capacity of artistic representation to evoke a sense of the infinite. Billy Collins crafts a poem that is both intimate and expansive, inviting readers to consider the ways in which art intersects with life, memory, and the passage of time. Through the simplicity of a fish swimming in its frame, Collins touches on profound questions about the human experience of art and the enduring legacy of creative expression.


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