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Classic and Contemporary Poetry: Explained | |||
"Admonitor: A Pearl for Arrogance" by Alan Dugan is a contemplative and vivid poem that uses the symbol of a pearl and the imagery of a crow to explore themes of arrogance, prophecy, and self-reflection. Dugan crafts a narrative that oscillates between personal anecdote and allegorical vision, creating a complex interplay of imagery and symbolism that invites deep interpretation. The poem begins with a simple, yet potent, scene: "In winter a crow flew at my head because her fledgling warmed the brute nest of my fist." This opening line immediately establishes a conflict between the human speaker and nature, represented by the crow. The crow's aggressive action is provoked by the speaker's possession of her fledgling, which he holds tightly in his fist. This grip, described as a "brute nest," suggests both protection and captivity, highlighting a dual aspect of the speaker's interaction with nature. The speaker then states, "Ah, I freed my bird for grace." This action of releasing the fledgling is pivotal, indicating a moment of moral choice and the recognition of the crow's sovereignty over her young. It is a gesture of respect and humility, yet what follows complicates this seemingly simple act of grace. The speaker finds or perhaps creates a pearl, within which he sees a prophetic vision: a sphere that mirrors the stars and contains the image of the crow at its core. The crow within the pearl is "spread-eagled in the royal orb," a position of display and power, holding "one foot holding lightning and the other, worms." This imagery imbues the crow with god-like qualities, capable of wielding both the destructive power of lightning and the life-giving sustenance of worms. The description "a herald of arrogance" suggests that the crow, in its dual capacity as destroyer and nurturer, becomes a symbol for the speaker’s own arrogance—perhaps in believing he could control or affect nature according to his whims. The vision continues to unfold with dramatic intensity: "I saw my fortune, iridescent with deceit, my golden mask the operative profile on a coin haloed in motto: Order Reigns, and backed by pestilent wings." Here, the speaker's self-reflection deepens as he recognizes the deceptive allure of his own arrogance, symbolized by a "golden mask" and a coin—an emblem of human commerce and artificial value systems. The motto "Order Reigns" juxtaposed with "pestilent wings" underscores a thematic tension between the human desire to impose order and the chaotic, often destructive, forces of nature that resist such control. The poem culminates with a grotesque yet profound image: "The window in this easter egg exposed the blood's close tenement where out-sized eyes, two bright black puddles in tarred grass, were imminent with birth, and hunger's instrument, the beak, armored its hinterland of flesh with bone." This imagery is laden with the anticipation of birth and the predatory necessity of survival. The beak, as "hunger’s instrument," is a stark reminder of the basic, primal drives that underlie existence. In the final lines, "It will crack out of art, the image at full term, and cast about for meal," Dugan masterfully transitions from the allegorical to the literal, suggesting that the prophetic image—the crow—will transcend its artistic encapsulation and become an active, living force. This line speaks to the inevitable emergence of nature’s raw and uncontainable vitality, which will seek sustenance and thrive beyond the confines of human artifice and interpretation. "Admonitor: A Pearl for Arrogance" thus serves as both a caution and a revelation, reflecting on the perils of human arrogance and the profound, often unpredictable, forces of nature that challenge and defy human understanding and control. Through this rich tapestry of imagery and symbol, Dugan crafts a narrative that is both a personal admonition and a universal philosophical inquiry.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...SONG: WOO'D AND MARRIED AND A' by JOANNA BAILLIE EXILE OF ERIN by THOMAS CAMPBELL THE BRIDGE: PROEM. TO BROOKLYN BRIDGE by HAROLD HART CRANE UPON PRUE, HIS MAID by ROBERT HERRICK EPITAPHS OF THE WAR, 1914-18: THE BEGINNER by RUDYARD KIPLING THREE HUNDRED THOUSAND MORE by ROBERT MORRIS A TOMB BY THE SEA by ASCLEPIADES OF SAMOS SONNETS OF MANHOOD: 37. NAPOLEON AT ST. HELENA by GEORGE BARLOW (1847-1913) |
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