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FLOWER GROWER IN AQUARIUS, by             Poet Analysis     Poet's Biography

"Flower Grower in Aquarius" by Alan Dugan is a poignant and somewhat ironic poem that explores themes of love, rebirth, and existential contemplation through the metaphor of gardening and the zodiac sign of Aquarius, often associated with renewal and humanitarian insights. The poem delves into the personal revival of the speaker, brought back from the brink of despair by the affection and companionship of a woman.

The opening lines of the poem introduce us to a speaker in a dire state, "I fell away toward death for lack of company and goods: / no business but to flinch." This imagery portrays a life diminished to mere reactions, a survival mode where the speaker is so deprived of human connection and material sustenance that he teeters on the edge of existential demise. The depiction is stark, capturing a profound loneliness and the visceral impact of isolation.

The turning point comes when "A woman caught me with the hook her smile wore at its edge and wound me up with a winch." This metaphor suggests that the woman's smile, possessing both allure and danger, captures the speaker and literally pulls him back from his metaphorical death. The mechanics of the winch suggest a laborious and perhaps painful process, implying that revival and connection require effort and can involve some discomfort or vulnerability.

The phrase "Love's bucket, I was refilled!" beautifully shifts the imagery to one of nourishment and replenishment. The speaker is likened to a bucket, once empty, now filled—presumably with love, hope, or a renewed zest for life. This imagery is vivid and encapsulates the essence of being revitalized by affection and care, highlighting the transformative power of human connections.

Returning to life, the speaker's actions—"So I came back and kissed and cursed her. She fixed lunch."—suggest a complex relationship with his savior. The mixture of kissing and cursing indicates a tumultuous but deeply human response to being so profoundly affected by another person. The mundane act of fixing lunch juxtaposes the dramatic emotional exchanges, grounding their interaction in everyday life and emphasizing the normalcy that can coexist with deep emotional processes.

The latter part of the poem dives deeper into the speaker's reflection on his existence and choices: "I should invest in fly-by-night concerns while I have flesh to risk and currency to burn." Here, the speaker contemplates risk-taking and the pursuit of fleeting or risky ventures, recognizing the temporal nature of life and the value of living fully while he is able.

Ending on a note of intention to "hang around her well-head and decant death's water to my drawer," the speaker resolves to stay in the nourishing presence of the woman who revived him. This decision to stay near the source of his renewal ("her well-head") and to actively draw from it ("decant death's water") symbolizes a commitment to life and a rejection of the existential despair that once plagued him. The use of "decant" infuses a sense of careful, deliberate living, suggesting that the speaker now chooses to engage with life more thoughtfully and appreciatively.

"Flower Grower in Aquarius" intertwines themes of despair, revival, and love with rich metaphors and a touch of everyday realism. Alan Dugan crafts a narrative that resonates on both personal and existential levels, exploring how human connections can pull us back from the brink and inspire us to engage more fully with life.


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