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THE TEMPLE OF THE ANIMALS, by             Poet Analysis     Poet's Biography

"The Temple of the Animals" by Robert Duncan is a poignant reflection on memory, loss, and the connection between humanity and the natural world. Set against the backdrop of a once-vibrant temple now in decline, the poem explores the fading presence of the animal kingdom and the lingering impact of their absence on the human psyche.

The poem opens with the stark image of the temple's disrepair, a metaphor for the diminishing relationship between humans and nature. The "pad of feet has faded," signaling the departure of the animals and the silence that follows their absence. The imagery of fleeing panthers and the fading smell of musk evokes a sense of something once powerful and vivid now retreating into the shadows, leaving behind only traces in memory.

Duncan repeats this opening stanza, emphasizing the cyclical nature of memory and loss, and the persistent echo of what has been left behind. The repetition serves to deepen the sense of nostalgia and loss that permeates the poem.

The poem then shifts to a reflection on the past year, cataloging the diverse aspects of the animal kingdom that were once part of the speaker's life: "the altars of the bear, tribunals of the ape, solitudes of elephantine gloom, rare zebra-striped retreats, prophecies of dog, sanctuaries of the pygmy deer." Each animal is associated with a specific quality or setting, suggesting a complex and richly interconnected ecosystem. These descriptions serve as a litany of the lost or fading aspects of nature, each evoking a different emotional and spiritual response in the speaker and reader.

The speaker questions whether there were "rituals I had forgotten?" suggesting a personal and collective amnesia about the ways in which humans once interacted more harmoniously with the animal world. This forgetting represents a cultural and spiritual loss, a disconnection from a more primal and profound engagement with the world.

The "animal calls to which those animal voices replied" conjure a world where communication between species was possible, where the human presence was integrated into the larger ecological chorus. The stirring of the jungle in response to these calls illustrates a dynamic and responsive relationship between the temple's inhabitants and their environment, a stark contrast to the silence and abandonment that now prevail.

By concluding with the question "Were there voices that I heard?" Duncan introduces a haunting doubt about the reliability of memory and the reality of the connection that once existed. This uncertainty adds depth to the theme of loss, suggesting that what is forgotten becomes as spectral and elusive as the fading musk or the silent pads of the departed animals.

Overall, "The Temple of the Animals" is both an elegy for and a meditation on the disconnection between the modern human world and the more instinctual, interconnected animal world. Through evocative imagery and poignant questioning, Duncan captures the profound sense of loss that accompanies the decline of this connection, urging a reflection on what has been forgotten and what lingers still in the remnants of memory and place.


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