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Classic and Contemporary Poetry: Explained | |||
In "Pan With Us," Robert Frost presents a contemplative reflection on the mythological figure Pan, juxtaposing the ancient god's presence with the changing values and landscape of the modern world. Through vivid imagery and thoughtful exploration, Frost delves into themes of nature, change, and the passage of time, ultimately highlighting the enduring yet marginalized place of myth and nature in contemporary society. The poem begins with Pan emerging from the woods, described with gray skin, hair, and eyes, "the gray of the moss of walls," signifying his deep connection to the natural world. This grayness also suggests an antiquated quality, as if Pan himself is a relic of a bygone era. Standing in the sun, Pan surveys the landscape of wooded valleys and hills, finding solace in the absence of human presence: "He saw no smoke and he saw no roof." This isolation brings peace to Pan's heart, symbolizing a return to the primal and untouched state of nature. Frost describes Pan stamping his hoof in satisfaction, a gesture that reinforces his connection to the land and his contentment with the unspoiled environment. The only intrusions in this remote place are occasional visits by people to tend to livestock or by children fetching water. These minimal human interactions are fleeting and do not disrupt the tranquility of the natural world. However, Pan's pipes, once capable of stirring nature to life, now seem ineffective. He tosses them aside, recognizing that the world no longer responds to the "pipes of pagan mirth." The modern world has moved beyond the ancient, pagan terms of worth that Pan represents. The blue jay's screech and the hawks' whimper are sufficient music for him now, indicating a shift from active participation to passive observation. Pan's sense of displacement becomes more evident as he reflects on the changed times. The pipes that once held power to influence nature now have less effect than a mere breath of air. This diminishing influence signifies the loss of reverence for myth and nature in contemporary society. Pan, embodying the old ways, finds himself irrelevant in a world that values different things. The poem culminates in Pan lying down on the sun-burned earth, symbolically connected to the very essence of nature. He unravels a flower and looks away, pondering the concept of play. The repeated question, "Play? Play? -- What should he play?" underscores Pan's existential dilemma. The traditional role he once held, leading the natural world in joyous, pagan celebration, no longer has a place in the modern world. Frost's portrayal of Pan is poignant and introspective. Pan's journey from the woods to the open pastureland reflects a transition from mythic past to an uncertain present. The landscape, once vibrant with the sounds of Pan's pipes, is now a quiet, contemplative space where nature exists without the animating force of mythology. The poem suggests that while nature endures, the myths that once gave it life and meaning have faded, leaving figures like Pan to grapple with their diminished relevance. In "Pan With Us," Frost masterfully explores the tension between ancient myth and modern reality. Pan's alienation in a world that no longer values his presence speaks to broader themes of change and the loss of connection to nature. Through Pan's eyes, Frost invites readers to reflect on what has been lost and what remains, urging a reconsideration of how we relate to the natural world and the myths that once defined it.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...SONGS OF INNOCENCE: INTRODUCTION by WILLIAM BLAKE A PIPER by JAMES SULLIVAN STARKEY A CITY PIPER by MORRIS ABEL BEER SONGS OF THE SEA CHILDREN: 25 by BLISS CARMAN THE PIPER by OLIVE TILFORD DARGAN THE PIPER by JAMES ELROY FLECKER THE PIPE-PLAYER by EDMUND WILLIAM GOSSE THE POET HATH LOST HIS PIPE by ROBERT HERRICK PIPING by CATHARINE EMMA JACKSON |
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