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HYPOSTASIS & NEW YEAR, by             Poet Analysis     Poet's Biography

Peter Gizzi’s "Hypostasis & New Year" is a deeply reflective and introspective poem that explores themes of fear, existence, and the complexities of perception and reality. Through rich imagery and a contemplative tone, Gizzi navigates the intricate landscape of the self and the external world, drawing connections between the physical and the metaphysical.

The poem opens with the speaker questioning their fear of expressing awe: "For why am I afraid to sing / the fundamental shape of awe." This sets the stage for an exploration of the hesitation and trepidation that often accompany profound realization or expression. The speaker ponders the possibility of beginning to "sing the silvered back of / the winter willow spear / the sparkling agate blue," suggesting a desire to articulate the beauty and wonder of the natural world. The imagery of the "silvered back" and "sparkling agate blue" evokes a sense of purity and clarity, contrasting with the intransitive "lack" the speaker feels.

Gizzi delves into the nature of fear and memory with "Of what am I afraid / of what lies in back of me of day / these stars scattered as far as the I." This line reflects the existential anxiety about the unknown and the past. The phrase "scattered as far as the I" plays on the homophone "eye," suggesting both the vastness of the universe and the limits of individual perception. The poem continues with an exploration of the transient beauty of the present moment: "why now in the mind of an afternoon is a daisy / for a while / flagrant and alive." The daisy symbolizes a fleeting moment of vitality and presence, juxtaposed with the inevitable decay and darkness of night.

The poem shifts to a contemplation of night and its associations with bad luck and rot: "Then what of night / of hours’ unpredicated bad luck and the rot / it clings to." Gizzi captures the ominous and uncertain nature of nighttime, where fears and anxieties often surface. The speaker addresses the "shadow world," reflecting on the return of things "unseen but felt and no longer itself." This line highlights the disconnection between perception and reality, where familiar objects and experiences transform and lose their original essence.

Gizzi further explores the concept of identity and perception with "Of what am I to see these things between myself / and nothing / between the curtain and the stain." The curtain and the stain represent the barriers and blemishes that obscure true understanding. The speaker grapples with the hypostatic nature of existence—where distinct entities coexist within a single reality. The question "are they not the same" underscores the ambiguity and interconnectedness of all things.

The poem transitions to an urban setting, where "Things don’t look good on the street today / beside a tower in a rusting lot." The juxtaposition of the decaying urban environment with the nourishing afternoon light creates a stark contrast, emphasizing the coexistence of decay and renewal. Gizzi reflects on the "old songs and the present wind," suggesting a continuity between past and present, memory and current experience.

In a poignant moment, the speaker addresses their mother: "Mother where from did you leave me on the sleeve / of a dying word." This line conveys a sense of abandonment and the search for meaning and connection. The poem continues with the speaker's introspection on their past decisions and current state, as seen in the lines "I can’t remember now if I made a pact with the devil / when I was young."

The poem concludes with the speaker's reflections on consumerism and societal norms: "on a sidewalk I hear 'buy a sweatshirt?' and think / buy a shirt from the sweat of children." This line critiques the commodification of labor and the ethical implications of everyday choices. The speaker's walk in the sun becomes a metaphor for navigating the complexities of life and the search for understanding amidst confusion and contradiction.

"Hypostasis & New Year" by Peter Gizzi is a profound meditation on fear, perception, and the intertwining of past and present. Through its rich imagery and contemplative tone, the poem invites readers to reflect on the nature of existence and the continuous journey of self-discovery. Gizzi’s work captures the essence of introspection and the search for meaning in a world filled with uncertainties and transient moments of beauty.


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