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Peter Gizzi’s "Tous les Matins du Monde" is a contemplative and introspective poem that delves into the complexities of thought, memory, and the often elusive nature of reality. Through its rich and layered imagery, the poem explores the intersections of mind and body, the physical and the symbolic, and the role of perception in shaping our experience of the world.

The poem opens with a reflection on the difficulty of maintaining goodness: "Goodness is hard on the body, / a distracted mind unable to doze in fitful sleep." This line captures the tension between the ideals of goodness and the physical and mental strain they impose. The phrase "fitful sleep" suggests a state of unrest and anxiety, where the mind is preoccupied and unable to find peace.

The image of the dove introduces a symbolic element: "The dove rattles the mind into thinking / it has a body of thought--complete / & symbolic--the gray feathers perched / outside the pale cut square of silver." The dove, often a symbol of peace and purity, here represents the mind’s attempt to reconcile its thoughts into a coherent and symbolic whole. The "pale cut square of silver" suggests a window or a frame, through which the mind views and interprets the world.

Gizzi then connects this imagery to a sense of belonging: "Say then, we belong to that window, / that warble, and suddenly we belong too, / the silver car in the yard, even a tiny silver hammer." The window and the warble of the dove create a sense of place and connection, extending this belonging to everyday objects like the silver car and hammer. These objects, mundane yet significant, become symbols of the mind's need to find meaning and coherence in the world.

The poem continues to explore the theme of travel and the mind’s wanderings: "All vehicles of travel / disclose the mind’s need to wonder in perfect forms." Here, Gizzi suggests that the act of travel—both literal and metaphorical—is driven by the mind’s desire to explore and understand. The mention of the "skiffsman" who doesn’t come to rock the speaker to sleep adds a layer of myth and longing, evoking the idea of a journey that offers solace and understanding.

The reflection on memory and holding onto the world underscores the transient nature of life: "to wander the tired stones again / and worn teeth we remember to hold onto a world / for this life might not take us the whole way." This passage captures the persistence of memory and the effort to hold onto fragments of experience, even as life’s journey may feel incomplete or uncertain.

Gizzi introduces the idea of a concept or "donnee" traveling farther than its instrument: "That shape of an idea, the concept, or donnee / travels farther than the instrument can register." This line suggests that our thoughts and ideas often transcend the physical means we use to express them, pointing to the limitless nature of the mind’s capacity for abstraction and imagination.

The poem concludes with a sense of urgency and speed: "The spindle whirs beyond its order. / Something must be moving at incredible speed. / With pure speed I address you, reality." The spinning spindle evokes the relentless passage of time and the ceaseless motion of thought. The speaker’s direct address to reality, with "pure speed," suggests a confrontation with the immediacy and intensity of existence.

"Tous les Matins du Monde" by Peter Gizzi is a deeply reflective poem that navigates the interplay between the mind’s inner world and the external realities it seeks to understand. Through its intricate imagery and thoughtful meditations, the poem invites readers to consider the nature of perception, memory, and the pursuit of meaning in a world that is both familiar and mysterious. Gizzi’s work captures the delicate balance between thought and experience, offering a profound exploration of the human condition.


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