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Classic and Contemporary Poetry: Explained

LIBRARY, by             Poet Analysis     Poet's Biography

Albert Goldbarth’s poem "Library" is a celebration of books in their myriad forms and functions, encapsulating the power, diversity, and impact of literature. The poem reads like an expansive catalog of various books, each entry a vignette illustrating the vast tapestry of human experience and imagination. Goldbarth employs a wide range of tones, from the whimsical to the profound, to convey the multifaceted nature of books.

From the outset, the poem establishes books as life-changing artifacts: "This book saved my life." This assertion underscores the profound influence books can have on individuals, providing solace, guidance, or an escape from the vicissitudes of life. The mention of a book taking place on a Martian moon and another seeking posthumous absolution from its author illustrates the boundless creativity and enduring relevance that literature can possess.

Goldbarth deftly juxtaposes the grand with the humble. He speaks of a book so massive it required two royal elephants to transport it, contrasting it with another that fit inside a gourd. This contrast not only highlights the physical diversity of books but also suggests their varying cultural and symbolic weights. Some books, like those revealing "The Secret Name of God," carry immense spiritual and existential significance, placing their authors in peril, while others are mundane yet deeply personal, like the one that "poured its colors into my childhood."

The poem also delves into the personal and intimate relationships people form with books. The line about lifting a book to smash a roach but instead injuring oneself and ending up bedridden for days humorously acknowledges the physical presence and potential hazards of books in everyday life. Yet, it also hints at the unexpected ways books can become intertwined with personal narratives.

Goldbarth explores the evolving nature of what constitutes a book. The traditional codex is accompanied by "audio cassette," "a screen and a microchip," and even "the sky," reflecting the technological advancements that continuously reshape our understanding of reading and literature. This evolution is both a testament to the enduring adaptability of books and a commentary on the changing landscapes of knowledge consumption.

The poet does not shy away from the darker aspects of books. Some books are plagiarized, defame women, or have been smuggled at great risk. These entries remind us that books, like all human creations, are fraught with the complexities and contradictions of their creators and contexts. Yet, even these flawed books contribute to the rich, diverse library of human thought and culture.

Goldbarth’s catalog also includes books with specific cultural and historical significance. The reference to a book being recognized as the "first true title-page" and another to a book used by Madame Curie showcases the historical milestones in the evolution of books and their lasting legacies. Furthermore, personal anecdotes, such as the poet's niece writing a book in crayon and glitter or a book found in a garbage can that continues to be read by grandchildren, underscore the deeply personal and generational connections that books can forge.

In the latter part of the poem, Goldbarth touches on the metaphysical and mystical aspects of books. Books that are "a vivisected frog, and ova its text," or that "taught me what a 'merkin' is," illustrate the range of knowledge and curiosity they can inspire. The mystical elements are further explored through books described as having "aura-like glory" or as "an intercom for God," suggesting that books can serve as portals to the divine or the sublime.

"Library" culminates in a meditation on the inextricable link between books and the human condition. Books can encapsulate personal memories, cultural heritage, and the collective wisdom of humanity. They are both a reflection of and a response to the world’s complexities. By including an unfinished book that "can't be written yet" because "its author isn't born yet," Goldbarth acknowledges the ongoing, ever-evolving nature of literature and its potential to continue shaping and being shaped by future generations.

In "Library," Albert Goldbarth presents a tapestry of books that captures the essence of human experience, knowledge, and imagination. Each entry serves as a testament to the profound and varied roles books play in our lives, celebrating their ability to inform, inspire, challenge, and comfort us.


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