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Classic and Contemporary Poetry: Explained

THE SELVEGE, by         Recitation by Author     Poet Analysis     Poet's Biography

"The Selvege" by Linda Gregerson is a meditation on the intersections of race, politics, and personal identity, woven together with vivid imagery and reflective narrative. The poem is divided into three distinct sections, each delving into different aspects of societal and personal revelations.

In the first section, the poem begins with a door-to-door canvassing scene in rural North Carolina. The narrator and their companion are going from "door to door among the shotgun / shacks in Cullowhee and Waynesville," engaging in polite political canvassing. The interaction with a woman who weighs "three hundred pounds" and her husband Everett provides a stark and unsettling glimpse into the racial dynamics and prejudices that still permeate parts of America. When asked who they plan to vote for, Everett responds, and the woman repeats, using a racial slur instead of the respectful term. This moment of casual racism starkly illustrates the deeply ingrained biases and the narrator's realization that, despite such prejudices, Barack Obama (referred to as "the black guy") is going to win the election. This section captures the juxtaposition of progress and entrenched racism in American society.

The second section shifts to a personal reflection. The narrator recalls a remark made by the second wife of their sister's chairman, who expressed amazement at the narrator's accomplishments despite their origins. The supposed compliment underscores the speaker's awareness of class and regional prejudices: "Amazing, said my sister’s chairman’s / second wife, to think what you’ve / amounted to considering where you’re from." This section delves into the idea of belonging and the notion that one's place of origin can be a source of judgment or surprise when they achieve success. The final lines of this section, "One country, friends. Where when / we have to go there, as, depend / upon it, fat or thin, regenerate / or blinkered-to-the-end, we shall, / they have to take us in," suggest a sense of shared national identity, despite individual differences and prejudices.

The third section shifts to a more contemplative and natural setting, describing a river full of geese the narrator observes while driving home. The geese are "close-massed against the current and / the bitter wind," symbolizing resilience and unity in the face of adversity. The imagery of the geese loosening rank "to / gather again downstream" serves as a metaphor for the social fabric, where individual actions and separations ultimately contribute to a larger unity. The geese's wingspans, "as wide as we are tall," evoke a sense of grandeur and the interconnectedness of nature and humanity.

The poem's title, "The Selvege," refers to the edge of a woven fabric that prevents it from unraveling. This metaphor aptly describes the themes of the poem, highlighting how individual threads, actions, and identities come together to create a cohesive whole, despite the potential for fraying and tension.

Gregerson's poem intricately weaves together personal narrative, social commentary, and natural imagery to explore themes of identity, belonging, and resilience. The transitions between the sections create a tapestry that reflects the complexity of human experience and the persistent hope for unity and understanding amidst diversity and prejudice. Through "The Selvege," Gregerson invites readers to consider the delicate balance that holds society together and the individual actions that contribute to its strength and cohesion.


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