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AFTER HORACE (ODES III, 5), by             Poet Analysis     Poet's Biography

Donald Hall's "After Horace (Odes III, 5)" is a modern retelling that retains the essence of Horace’s moral exhortations while situating them in a contemporary context. The poem addresses themes of aging, lust, and the unseemliness of clinging to youthful pursuits past one's prime. Hall’s use of colloquial language and modern references serves to bridge the temporal gap between the ancient and the present, offering a humorous yet poignant critique of the refusal to age gracefully.

The poem opens by addressing Ibyas, a figure described as a "man of property" and "Chloris's husband," urging him to cease his pursuit of young women. This introduction immediately sets the stage for the poem's central conflict: the tension between Ibyas's advanced age and his continued indulgence in youthful vices. The speaker’s admonition, "Now that you're just about ready to die, give up / fucking around," is stark and unflinching, using blunt language to emphasize the inappropriateness of Ibyas’s behavior. This directness not only grounds the poem in a contemporary vernacular but also reinforces the urgency and seriousness of the advice being given.

Hall’s portrayal of Ibyas’s futile attempts to "pass for one of the randy studs" highlights the absurdity of an older man trying to compete with younger, more virile men. The imagery of Ibyas attempting to "darken the vigorous air with Viagra's lechery" is both vivid and comical, underscoring the unnaturalness and desperation of his efforts. Viagra, a modern symbol of extended virility, becomes a tool that mocks rather than aids Ibyas, casting his desires in a ridiculous light.

In contrast to Ibyas, his grandson Nathus is depicted as naturally and appropriately engaged in youthful pursuits. Nathus "runs after pretty girls," embodying the vitality and impulsiveness of youth. The comparison between Nathus and a "satyr piping his lust" or a "billygoat in his desire for Phloe" evokes classical imagery, linking his actions to a timeless archetype of youthful, almost animalistic desire. This portrayal serves to highlight the naturalness of Nathus's behavior in contrast to the incongruity of Ibyas’s actions.

The poem’s tone shifts from humorous to more somber as it advises Ibyas to accept the realities of aging. The lines "it's time to sit and snore. Forget love songs, / Ibyas" encapsulate the speaker's message: it is more fitting for Ibyas to embrace the quieter, more restful aspects of old age rather than clinging to the passions of youth. The final admonition, "Stop lusting over / the Swimsuit Issue while you drink Bud all day," brings the critique full circle, using contemporary cultural references to underscore the theme of misplaced desires. The image of an elderly man fixated on a magazine meant to titillate younger audiences while indulging in a common, unremarkable beer like Budweiser captures the banality and pathos of Ibyas’s situation.

Structurally, Hall’s poem mirrors the conversational, advisory tone of Horace's original odes. The free verse form, devoid of a strict rhyme scheme or meter, allows for a natural, almost conversational flow, which enhances the immediacy and relatability of the speaker's advice. The poem's language is direct and unembellished, reflecting the candid nature of the speaker’s counsel.

Hall’s modern adaptation of Horace’s ode retains the core message of the original while infusing it with contemporary relevance and humor. By juxtaposing classical references with modern imagery and language, Hall effectively bridges the gap between ancient wisdom and present-day folly. "After Horace (Odes III, 5)" is a testament to the timeless nature of Horace's insights into human behavior and the enduring relevance of his moral exhortations. Through his skillful blend of past and present, Hall invites readers to reflect on the universal themes of aging, desire, and the importance of accepting one's stage in life with dignity.


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