![]() |
Classic and Contemporary Poetry: Explained | |||
"Swan" by Donald Hall is a richly evocative poem that explores themes of nature, human labor, and the intertwining of the natural and man-made worlds. The poem's sections capture different scenes and moments, each contributing to a broader meditation on the relationship between the environment and human activity. Section I: The poem begins with a winter scene: "December, nightfall at three-thirty. / I climb Mill Hill past hawthorne and wild cherry, mist in the hedgerows." This imagery sets a somber and reflective mood, with the early nightfall of winter creating a sense of stillness and introspection. The mention of hawthorn and wild cherry adds a touch of nature's beauty, even in the bleakness of winter. The "mist in the hedgerows" enhances the atmosphere of quiet and obscurity. The image of "Smoke blows / from the orange edges of fire working the wheat stubble" introduces a human element to the landscape. The act of burning the stubble is described as "Putting the goodness back, into the soil," indicating a cycle of renewal and the interconnectedness of human labor and the natural world. Section 2: The poem shifts to a driving scene: "I drove from London to Thaxted, the fog matted around the headlights. / Suddenly / a thudding white shape in the whiteness, running huge and frightened, lost from its slow stream..." This passage captures a moment of tension and disorientation. The fog creates a sense of mystery and confusion, while the sudden appearance of a "thudding white shape" – presumably a swan – adds an element of surprise and fear. The swan, "lost from its slow stream," symbolizes a disruption in the natural order, an intrusion of the wild into the human-made world. Section 3: In this section, the focus returns to the mill: "The mill drew up to power the dark underneath it / through tunnels like the roots of a beech that spread to the poles / and down to the center of the earth." The mill is portrayed as a powerful, almost mythical presence, with its roots extending deep into the earth and reaching towards the poles. This imagery suggests a deep connection between the mill and the natural forces of the world. The poem then describes a disruption: "Fire breaks out in the fields / because the wheel of the mill does not turn." The fire symbolizes a breakdown in the cycle of renewal and productivity. The "Fog stacked in the hedges" adds to the sense of stagnation and obstruction. The windmill, with its "huge wings," becomes an active force, "clattering" to life and moving towards the swamp. The imagery of "cliffs of the Church" and "houses drifting like glaciers" evokes a sense of timelessness and slow, inevitable change. Section 4: Hall reflects on human labor and connection to the land: "I envied the man hedging and ditching, trimming the hawthorne, burning branches while wasps circled in the smoke of their nest." This man, deeply engaged in physical labor, is portrayed as being in harmony with his environment. His work is tangible and immediate, creating a direct connection with the natural world. The description of the man in his cottage, smoking his pipe in winter and gardening in summer, suggests a life of simplicity and contentment. The man is "grafted entirely to rain and air, stained dark / by years of hedging and ditching." This imagery conveys a sense of permanence and integration with the natural elements, highlighting the fulfillment found in a life closely tied to the land. Section 5: The poem concludes with a striking image: "The close-packed surface of the roots of a root-bound plant when I break the pot away, the edges white / and sleek as a swan ..." This final metaphor ties together the themes of growth, containment, and natural beauty. The "close-packed surface" of the roots suggests a dense, intricate network, mirroring the complex interplay between human activity and nature. The comparison to a swan, "white / and sleek," brings the poem full circle, recalling the earlier image of the swan in the fog and suggesting a return to the natural elegance and purity that underlies the scenes depicted throughout the poem. "Swan" by Donald Hall masterfully weaves together vivid imagery and reflective meditation to explore the deep connections between humans and their environment. Through its rich, layered descriptions and thoughtful observations, the poem invites readers to contemplate the intricate, often delicate balance between nature and human labor.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...TO A WALL OF FLAME IN A STEEL MILL, SYRACUSE, NEW YORK, 1969 by LARRY LEVIS THE WINDMILL by ROBERT SEYMOUR BRIDGES THE WATER MILL by SARAH DOUDNEY THE OLD MILL by THOMAS DUNN ENGLISH THE MILL by EDWIN ARLINGTON ROBINSON LITTLE JERRY, THE MILLER by JOHN GODFREY SAXE STEEL MILL by LOUIS UNTERMEYER MILLS OF DESTINY by EVA K. ANGLESBURG |
|