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POEM, OR BEAUTY HURTS MR. VINAL, by             Poet Analysis     Poet's Biography

E.E. Cummings’ "Poem, or Beauty Hurts Mr. Vinal" is a satirical critique of American consumer culture and the hollow nature of contemporary poetry as Cummings perceived it. The poem is a biting commentary on the commercialization of everyday life and the way it seeps into art, reducing it to something formulaic, predictable, and ultimately empty.

The poem begins with a sarcastic invocation of patriotism, "my country, 'tis of you," borrowing the opening line from the patriotic song "America (My Country, 'Tis of Thee)." However, instead of celebrating the country’s ideals, Cummings lists brands and products: "Cluett Shirt," "Boston Garter," "Spearmint," "Wrigley," and "Arrow Ide and Earl & Wilson Collars." These references to consumer goods and advertisements immediately establish the poem's critique of how commercialism has overshadowed genuine cultural and artistic expression in America. The satire is evident as Cummings presents these brands as if they were emblematic of the nation's greatness, mocking the idea that consumer products can encapsulate the spirit of a country.

The mention of historical figures like "Abraham Lincoln and Lydia E. Pinkham" contrasts with the commercialized imagery, juxtaposing the revered and the trivial. Lydia E. Pinkham, a 19th-century businesswoman known for her herbal remedies, is placed alongside Lincoln, further emphasizing the commodification of American values. Cummings then sarcastically references instant food products ("Just Add Hot Water And Serve"), suggesting that American culture has become about convenience and consumption rather than depth or substance.

Cummings continues his critique by attacking the state of contemporary poetry, which he describes as "un-spontaneous and otherwise scented merde," using the French word for excrement to emphasize his disdain. He criticizes periodicals that publish what he considers to be formulaic and lifeless poetry, drawing a comparison to "Gillette Razor Blades having been used and reused to the mystical moment of dullness." The reference to dull razor blades serves as a metaphor for overused and tired poetic tropes that have lost their sharpness or impact.

The poem shifts focus to the clichés that dominate this kind of poetry, mentioning how "Helen & Cleopatra were Just Too Lovely," mocking the romanticization of historical figures and the reliance on well-worn themes. The line "The Snail's On The Thorn enter Morn and God's In His andsoforth" is a parody of clichéd poetic language, particularly the kind of overly sentimental or religious imagery that Cummings found trite.

In the poem’s closing lines, Cummings turns his attention back to the American people, whom he describes as "delicately gelded (or spaded)"—emasculated or rendered impotent by the very culture they consume. He paints a picture of Americans as passive, numbed by consumerism, and complicit in their own decline. The phrase "tiny violetflavoured nuisance" further mocks the triviality of their concerns, likening their output to something insignificant and perfumed, yet ultimately meaningless.

The poem ends on a surreal note with the line "comes out like a ribbon lies flat on the brush," which could be interpreted as a final jab at the superficiality of both consumer culture and the art that emerges from it. The image of something "coming out like a ribbon" and lying "flat on the brush" suggests that what is produced—whether art, poetry, or culture—is flat, insubstantial, and lacking in vitality.

Overall, "Poem, or Beauty Hurts Mr. Vinal" is Cummings' sharp critique of a society that has traded genuine cultural expression for consumerism, reducing art to a set of predictable and hollow formulas. Through his satirical tone and vivid, often absurd imagery, Cummings exposes the emptiness at the heart of American culture as he saw it, challenging both the creators and consumers of art to strive for something more meaningful.


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