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Classic and Contemporary Poetry: Explained | |||
Robert Frost's poem "Not to Keep" explores the poignant themes of love, sacrifice, and the fleeting nature of life through the lens of a soldier's temporary return home. The poem is a touching narrative that delves into the emotional complexities faced by a woman who receives her wounded husband back from war, only to grapple with the knowledge that his return is temporary. The poem begins with a letter announcing the husband's return: "They sent him back to her. The letter came / Saying ... And she could have him." The ellipsis after "Saying" suggests the woman's anticipation and anxiety, as she fears there might be hidden implications within the formal writing. Her relief is palpable when she sees him "in her sight, / Living." The repetition of "living" underscores the incredulity and joy of his return, while also hinting at the precariousness of his condition. Frost quickly dispels any notion of a happy ending by noting that "They gave him back to her alive -- / How else? They are not known to send the dead." This line starkly contrasts the initial relief, introducing a sense of foreboding. The woman's need to inspect her husband's face and hands reflects her concern and fear of hidden injuries: "She had to look, to ask, / 'What was it, dear?'" The physical examination symbolizes her attempt to understand the full extent of his trauma. The husband's response reveals the severity of his injury: "Enough, / Yet not enough. A bullet through and through, / High in the breast." His words, "Enough, / Yet not enough," capture the paradox of his situation—he is alive, but his survival is fragile. The bullet wound, described as "high in the breast," signifies a serious injury that requires "good care / And medicine and rest." His assurance that a week of her care can heal him "to go again" hints at the inevitability of his return to war, underscoring the temporary nature of his respite. The poem then shifts to the couple's shared, unspoken understanding of the situation. The woman dares not ask more than what she already knows, as she perceives the grim reality of their situation: "The same / Grim giving to do over for them both." The phrase "grim giving" reflects the cyclical nature of their sacrifice, as they must endure the pain of parting once more. In a moment of silent communication, the woman uses her eyes to inquire about his readiness for another trial, and he responds with a look that implores her "not to ask." This silent exchange captures the depth of their bond and the unspoken acknowledgment of their shared suffering. The final line of the poem, "They had given him back to her, but not to keep," encapsulates the central theme. Despite the temporary joy of his return, the knowledge that he will soon return to the front lines casts a shadow over their reunion. The phrase "not to keep" underscores the transient nature of their time together, highlighting the fragility of life and the inevitability of loss. "Not to Keep" is a powerful exploration of the emotional toll of war on soldiers and their loved ones. Through vivid imagery and poignant dialogue, Frost captures the bittersweet reality of temporary reunions and the enduring strength required to face the uncertainties of life and death. The poem's subtle interplay of relief, fear, and resignation reflects the complex emotions of those who live in the shadow of war, making it a timeless reflection on human resilience and love.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...KILLED PIAVE-JULY 8-1918 by ERNEST HEMINGWAY THE MORNING PAPER by KATHARINE LEE BATES FOR THE FALLEN (SEPTEMBER 1914) by LAURENCE BINYON TRAFALGAR SQUARE by ROBERT SEYMOUR BRIDGES 1914: 3. THE DEAD by RUPERT BROOKE 1914: 4. THE DEAD by RUPERT BROOKE BETWEEN THE LINES by WILFRID WILSON GIBSON RUPERT BROOKE by WILFRID WILSON GIBSON THE MESSAGES by WILFRID WILSON GIBSON |
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