![]() |
Classic and Contemporary Poetry: Explained | |||
Alice Fulton’s "Dance Script with Electric Ballerina" is an exhilarating meditation on the fusion of art, physicality, and resilience. With its vivid imagery and kinetic language, the poem immerses the reader in the electric energy of a dancer?s world, while also exploring themes of defiance, endurance, and the transformative power of art. Fulton reimagines the ballerina archetype, shedding traditional ideals of grace and perfection to present a more dynamic, raw, and authentic vision of artistic expression. The poem opens with the speaker poised on a metaphorical "ledge," ready to leap into her dance. This ledge signifies both the literal physicality of dance and the existential risks inherent in artistic creation. The phrase "my body’s five rays singing" transforms the dancer into a radiant being, her limbs likened to beams of light. The image immediately sets the tone for the poem: one of boundary-breaking, of pushing beyond the conventional to explore new realms of movement and meaning. Fulton contrasts this electric ballerina with traditional ballet imagery. Instead of "sleeping beauty" or a "figurine fit to top a music box," the speaker embodies a functional and modern aesthetic. She describes her "feet bright and precise as eggbeaters," "fingers quick as switchblades," and a "miner’s lamp for my tiara." These metaphors emphasize utility, sharpness, and light, rejecting the ornamental in favor of the practical and expressive. By equating her movements to those of an "action painter" or a child sketching initials with sparklers, the speaker conveys her desire to leave a visible, ephemeral mark on the air—a “residue of slash and glide.” This imagery underscores the transient beauty of her art, a fleeting but powerful gesture etched in time and space. The poem also delves into the physical toll and discipline required of dancers. Fulton writes of "muscles clenched like teeth to the shin," "swollen hubs of shoulder, ankle, wrist, and knee," and "toes brown as figs from the clobbering of poundage." These visceral descriptions dismantle the illusion of effortless grace, revealing the pain and strain that underpin the art form. Yet, this honesty does not diminish the dancer’s allure. Instead, it amplifies her resilience and commitment to transforming this pain into beauty. Equilibrium, described as "so soothing," is portrayed as both a goal and a limitation. While spectators may crave the appearance of effortless balance, the dancer acknowledges the "strain" that leads to grace. This duality reflects a broader tension between external perception and internal experience—a recurring theme throughout the poem. The speaker?s struggle for equilibrium extends beyond the physical into the psychological, as she navigates criticism and self-doubt. The critiques faced by the electric ballerina are laid bare in a torrent of phrases—“flat and hollow at the core,” “flaccid,” “needs to improve her landings.” Fulton captures the harsh and reductive judgments often directed at female artists. Yet, the speaker counters these critiques with a steely determination, metaphorically "turning sideways to expose less surface" and sharpening herself “like a knife against the whetstone sneers.” This resilience transforms criticism into fuel, allowing her to carve her own path through the artistic world. The poem’s exploration of temporality is another significant dimension. The dancer envisions her movements as "scribbling moves that start at birth and dissolve in death," compressing a lifetime into the span of a single performance. This temporal compression is likened to filming a city for a millennium and condensing the footage into a few hours. The dance becomes a microcosm of human experience, a series of fleeting moments that together create something monumental. Through this lens, the gaps between gestures—the “fissures between then and now and when”—become opportunities for insight and transcendence. As the poem nears its conclusion, the speaker reflects on the ephemeral nature of her art: "Till then I’m signing space in leaps angular and brief as an electrocardiograph’s beat." Here, the dance becomes a metaphor for life itself, its vitality captured in the fleeting rhythms of a heartbeat. Even in stillness, the speaker declares, “I’m dancing,” a testament to the enduring energy and spirit of creation. Fulton’s "Dance Script with Electric Ballerina" redefines the ballerina as a symbol of resilience, creativity, and rebellion against convention. Through its vivid imagery and dynamic language, the poem celebrates the transformative power of art while confronting the physical and emotional challenges faced by artists. It invites readers to consider the beauty of imperfection, the vitality of movement, and the importance of leaving one?s mark—however fleeting—on the world.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...FAMED DANCER DIES OF PHOSPHORUS POISONING by RICHARD HOWARD ROSE AND MURRAY by CONRAD AIKEN A DANCER'S LIFE by DONALD JUSTICE DANCING WITH THE DOG by SUSAN KENNEDY SONG FROM A COUNTRY FAIR by LEONIE ADAMS THE CHILDREN DANCING by LAURENCE BINYON |
|