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Classic and Contemporary Poetry: Explained | |||
Donald Justice's "Invitation to a Ghost" is a poignant and reflective poem that navigates themes of memory, loss, and the enduring impact of friendship and artistry. Through a deeply personal and imaginative invocation, Justice explores the desire to reconnect with a lost companion, to recapture the essence of youthful vigor and shared creativity. The poem opens with a direct and evocative plea: "I ask you to come back now as you were in youth, / Confident, eager, and the silver brushed from your temples." This request immediately sets the tone for a nostalgic and intimate reflection. The speaker longs to see their friend as they once were, full of life and potential, unmarked by the passage of time and the inevitability of aging. Justice then introduces the concept of reversing time: "Let it be as though a man could go backwards through death, / Erasing the years that did not much count." This fantastical idea highlights the speaker's deep yearning to undo the irreversible, to reclaim moments that were perhaps more meaningful or vibrant. The reference to "a single brilliant forenoon" emphasizes the fleeting nature of such cherished memories. The poem shifts to a more social setting: "Sit with us. Let it be as it was in those days / When alcohol brought our tongues the first sweet foretaste of oblivion." Here, the speaker recalls the camaraderie and the liberating effect of alcohol, which facilitated open and passionate discussions about verse. The shared love for poetry and the critical eye they turned towards it is underscored: "A bad line, an atrocious line, could make you wince: we have all / seen it." This line captures the shared standards and the bond formed over a mutual appreciation for the craft. Justice paints a vivid picture of the environment: "I see you turn again toward the cold and battering sea. / Gull shadows darken the skylight; a wind keens among the chimney / pots." The imagery of the sea and the keening wind evokes a sense of melancholy and foreboding, as if the natural elements mirror the emotional landscape of loss and longing. The poem takes a reflective turn with a question about memory: "What year was that? / Correct me if I remember it badly." This line reveals the uncertainty and the gaps that time creates in recollection. The speaker seeks validation and clarity about the past, acknowledging the fluid and sometimes unreliable nature of memory. The introduction of a dream adds a layer of mythological depth: "But was there not a dream, sweet but also terrible, / In which Eurydice, strangely, preceded you? / And you followed, knowing exactly what to expect, and of course she / did turn." The reference to the myth of Orpheus and Eurydice highlights themes of longing, loss, and the painful awareness of the inevitable. In this dream, the ghost follows Eurydice, aware of the outcome, yet unable to alter it, mirroring the speaker's own helplessness in the face of irreversible loss. The poem concludes with a heartfelt plea: "Come back now and help me with these verses. / Whisper to me some beautiful secret that you remember from life." This ending emphasizes the speaker's desire for inspiration and guidance from the past. The act of writing and creating poetry becomes a means of connecting with the lost friend, of keeping their memory alive through the shared pursuit of beauty and meaning. "Invitation to a Ghost" by Donald Justice is a deeply moving exploration of memory, loss, and the enduring bonds of friendship and artistry. Through rich imagery and reflective language, Justice captures the complexity of longing for the past and the desire to reclaim moments of shared creativity and understanding. The poem serves as a testament to the power of memory and the enduring influence of those we have loved and lost.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...AFTER THE GENTLE POET KOBAYASHI ISSA by ROBERT HASS INTERRUPTED MEDITATION by ROBERT HASS TWO VIEWS OF BUSON by ROBERT HASS THE FATALIST: HOME by LYN HEJINIAN WRITING IS AN AID TO MEMORY: 17 by LYN HEJINIAN LET US GATHER IN A FLOURISHING WAY by JUAN FELIPE HERRERA IN MICHAEL ROBINS?ÇÖS CLASS MINUS ONE by HICOK. BOB BREADTH. CIRCLE. DESERT. MONARCH. MONTH. WISDOM by JOHN HOLLANDER VARIATIONS: 16 by CONRAD AIKEN UNHOLY SONNET 13 by MARK JARMAN |
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