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MATINS: 1, by             Poet Analysis     Poet's Biography

Denise Levertov’s poem "Matins: 1" explores the elusive nature of authenticity as experienced in the liminal space of dreams. Through vivid and surreal imagery, Levertov delves into the sudden and startling recognition of something real and genuine within the context of a dream, capturing the fleeting moment of clarity that occurs just before waking.

The poem opens with a declaration: "The authentic!" This phrase sets the tone for the entire piece, highlighting the importance and impact of encountering something true and real. However, Levertov quickly acknowledges the difficulty in pinpointing this authenticity: "Shadows of it / sweep past in dreams, one could say imprecisely." The use of "shadows" suggests that the authentic is often perceived indirectly or partially, eluding precise definition. This elusiveness is emphasized by the word "imprecisely," indicating that our attempts to grasp authenticity are often vague and uncertain.

Levertov uses a striking auditory image to describe the experience: "evoking the almost-silent ripping apart of giant sheets of cellophane." This metaphor captures the delicate yet palpable sensation of encountering authenticity. The "almost-silent" ripping suggests a subtle but significant disturbance, a barely audible yet powerful realization. The choice of "giant sheets of cellophane" implies a barrier being torn away, revealing what lies beneath. This image conveys the fragility and transparency of the boundary between the perceived and the real.

However, Levertov immediately refutes this imprecise metaphor: "No. / It thrusts up close." This abrupt shift emphasizes that the authentic is not distant or shadowy but immediate and undeniable. The directness of "thrusts up close" conveys the force and intimacy of the encounter with authenticity. In dreams, authenticity catches us "off-guard," allowing for a recognition that occurs instantaneously: "Exactly in dreams it has you off-guard, you recognize it before you have time." This line underscores the involuntary and sudden nature of recognizing something genuine within the dream state.

The poem concludes with a vivid and surreal image that encapsulates this moment of recognition: "For a second before waking the alarm bell is a red conical hat, it takes form." The transformation of the alarm bell into a "red conical hat" highlights the fluid and transformative nature of dreams, where ordinary objects can suddenly take on new and significant forms. This brief moment, "a second before waking," represents the fleeting but profound clarity that occurs just before consciousness returns. The "red conical hat" serves as a concrete symbol of the dream’s authentic moment, capturing the essence of recognition in a tangible form.

Levertov’s use of free verse allows for a fluid and spontaneous expression of these complex ideas. The poem’s structure, with its abrupt shifts and vivid imagery, mirrors the unpredictable and ephemeral nature of dreams. The concise and precise language reflects the poem’s focus on capturing the fleeting moment of authenticity.

"Matins: 1" by Denise Levertov is a meditation on the nature of authenticity as experienced in dreams. Through her use of vivid and surreal imagery, Levertov explores the sudden and startling recognition of something real within the dream state, emphasizing the immediacy and impact of these moments. The poem invites readers to consider the elusive and transformative nature of authenticity, challenging us to recognize and appreciate these fleeting moments of clarity.


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