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SALOME, by                 Poet's Biography


"Salome" by Guillaume Apollinaire provides an imaginative retelling of the biblical tale of Salome, Herod, and John the Baptist. With an unsettling blend of reverence and irreverence, the poem explores themes of desire, power, and the convoluted dynamics of human relationships. Just as Cubism aimed to present multiple perspectives of a single object or scene, Apollinaire offers layered dimensions of his characters, mired in their conflicting emotions and roles.

The poem starts with Salome's apparent desire to please John the Baptist, expressed in the language of dance and the religious imagery of the Seraphim. It immediately brings the reader into the heart of the interpersonal dynamics, exploring the contradictions within Salome herself-a woman both sensual and spiritual, wrapped in the "robe of a countess."

This duality is further emphasized when Salome speaks of her dancing and embroidery. The dancing is a form of seduction, but the embroidery of lilies is symbolic of purity. In this way, the poet adds complexity to Salome's character, portraying her as a creature of both passion and innocence. As she "broiders lilies for a pennon-bird," it is not clear whether she is consciously crafting her own role in the impending tragedy or is herself entrapped in a larger design.

The poem takes an abrupt turn as it speaks of the soldiers, John's "lance," and the lilies drooping "dead in their ranks." The juxtaposition of the imagery suggests a fatalistic intertwining of beauty, spirituality, and death. It becomes increasingly evident that the characters are caught in a web of motivations and actions beyond their individual control.

Apollinaire introduces a sharp irony through the character of Herod, who is portrayed as almost comical in his obliviousness. The poem climaxes with Salome receiving John's head, a moment treated with an unsettling mixture of grotesqueness and casualness. "Don't touch his brow mother dear is cold already," Salome says, almost nonchalantly, making the reader question whether she has any awareness of the gravity of her actions.

The closing lines of the poem are both surreal and chilling, blending ritualistic behavior with almost farcical elements. The "sneeze-starter," "prayer-charter," and "soul-barter" serve as a grim chorus that encapsulates the irrationality and chaos of human desires and actions, all of which are set against the solemn backdrop of death.

In summary, "Salome" by Guillaume Apollinaire masterfully employs a Cubist lens to dissect a well-known biblical narrative, offering a multi-layered exploration of its characters and themes. It leaves the reader pondering the complexities of human motivation, the ambiguities of innocence and culpability, and the inescapable web of actions and consequences that define our lives. Through fragmented perspectives and a blend of tones, the poem serves as an evocative meditation on the chaotic tapestry of human existence.


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