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Classic and Contemporary Poetry: Explained | |||
"Slave Trade: New Orleans" is a poem by Charles Reznikoff, an American poet known for his work in the Objectivist poetry movement. The poem was first published in 1934 in Reznikoff's collection "Testimony." Explanation: "Slave Trade: New Orleans" is a powerful and haunting poem that explores the history of slavery in New Orleans. The poem takes the form of a montage of voices, with snippets of historical documents and personal narratives woven together to create a portrait of the slave trade and its impact on the lives of those involved. The poem is characterized by its use of fragmentation and collage, with the various voices and documents juxtaposed to create a sense of disorientation and horror. The language of the poem is spare and simple, with Reznikoff's use of verbatim accounts and historical documents lending a sense of authenticity and immediacy to the work. The poem also touches on themes of power, oppression, and exploitation, with the speaker suggesting that the legacy of slavery continues to haunt the present and shape the social and political structures of the United States. Poetic Elements:
Conclusion: "Slave Trade: New Orleans" is a powerful and haunting poem that confronts the legacy of slavery in the United States. Reznikoff's use of fragmentation, collage, and verbatim accounts creates a sense of authenticity and immediacy, while the spare and simple language emphasizes the brutality and inhumanity of the slave trade. The poem is a powerful reminder of the ongoing impact of slavery on American society and the need for continued efforts to confront and address this legacy. Poem Snippet: "In 1856, three thousand slaves were sold at auction in New Orleans.
Copyright (c) 2025 PoetryExplorer | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THE CROWDS CHEERED AS GLOOM GALLOPED AWAY by MATTHEA HARVEY SONOMA FIRE by JANE HIRSHFIELD AS THE SPARKS FLY UPWARDS by JOHN HOLLANDER WHAT GREAT GRIEF HAS MADE THE EMPRESS MUTE by JUNE JORDAN CHAMBER MUSIC: 19 by JAMES JOYCE DIRGE AT THE END OF THE WOODS by LEONIE ADAMS |
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