Classic and Contemporary Poetry: Explained

"Eros to Howard Nemerov" by Mona Van Duyn is a clever and thought-provoking poem that takes the form of a letter from Eros, the god of love, to the poet Howard Nemerov. Through this letter, Van Duyn explores themes of love, desire, creativity, and societal change, using Eros as a lens to examine the impact of these forces on both individuals and society as a whole.

The poem opens with Eros addressing Nemerov directly, noting the irony of being "exposed at a poetry reading." This introduction sets a conversational tone, as Eros humorously reflects on the disguises typically crafted by poets to depict him. Traditionally portrayed as a playful and capricious figure, Eros acknowledges that Nemerov has seen through these superficial representations to reveal a deeper truth about his nature.

Eros commends Nemerov for his insightful interpretation, where Nemerov suggests that Eros's power comes from representing the "unborn child who wants to be born." This idea posits that the essence of Eros lies in the fundamental human desire for creation and potential, rather than mere capriciousness. Eros's "slyness, rage, wild scheming and cruelty" are seen as expressions of this underlying drive, which resonates deeply with the human condition.

As Eros continues, he notes that while the "youngsters" might forget Nemerov's insights amidst the "gorgeous fury and mindlessness of love," he feels compelled to have a deeper conversation with Nemerov, who is both a father and a poet. Eros acknowledges Nemerov's poems for their balance and reticence, suggesting a respect for Nemerov's thoughtful approach to capturing the complexities of human emotions and experiences.

Eros then shifts to discuss his current activities in the context of contemporary culture, specifically mentioning "the fruitful year of the mini and the marijuana." He candidly admits to his lack of scruples, highlighting his pragmatism in using whatever means available to fulfill his role. Despite the changing times and new challenges, Eros asserts that his ultimate goal remains unchanged: to shoot "for the sweetest dream the human creature can have, the dream of possibility."

The poem moves into a critique of societal fears and priorities. Eros points out that while nations are preoccupied with the threats of atomic explosions and overpopulation, his focus remains on the fundamental human desires that drive creation and life. He humorously suggests that other gods, like Demeter, need to step up and address these broader concerns while he continues to ensure the flow of life.

Eros provides a glimpse into his "state of affairs" by discussing San Francisco, a symbol of cultural revolution and change. He expresses a nuanced view of the social movements and phenomena, such as nude-ins and love-ins, indicating that he is less concerned with their immediate manifestations and more interested in the long-term outcomes they might produce.

Eros also touches on the commercialization and exploitation of love, referencing tourist attractions like transvestite bars and the use of contraception ("The Pill") that blunt his influence. He acknowledges the persistence of his influence in various forms, from entrepreneurs on Broadway to the spectacle of the "Topless Mother of Eight," who captivates audiences with her provocative display.

In conclusion, "Eros to Howard Nemerov" is a richly layered poem that uses the figure of Eros to explore the enduring and evolving nature of love, desire, and creativity. Van Duyn's Eros is both timeless and deeply embedded in contemporary culture, navigating the complexities of human life with a blend of humor, pragmatism, and insight. Through this letter, Van Duyn invites readers to reflect on the ways in which love and desire shape our world, reminding us of the persistent and transformative power of these fundamental forces.

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