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CEREMONY ON PIER 40, by             Poet Analysis     Poet's Biography

David Wagoner’s "Ceremony on Pier 40" creates an introspective moment filled with muted desolation, existential inquiry, and a sense of quiet perseverance. In this piece, Wagoner uses a decayed maritime scene to reflect on the internal struggles of the human mind, particularly on those "bad days" where inertia and survival become acts of resilience.

The poem opens by situating the reader on Pier 40, where no vibrant maritime activity occurs. The imagery of "No ships are shivering / These timbers" suggests stagnation and neglect, likening the pier to "a wreck" that moves only under the influence of chaotic, insignificant forces like "littered chop / And backwash." This sets the tone of disrepair and futility, contrasting the vibrant, purpose-driven energy often associated with a bustling pier. The reference to "the idiot / Figurehead of the empty bollard" reinforces the sense of uselessness—objects meant for anchoring and guiding ships stand idle and purposeless.

The cormorant, described as having "black wings held out to dry" and sitting "like a burnt flagstaff," becomes a visual emblem of endurance amidst the wreckage. The bird, though still and solitary, suggests a stoic presence amid desolation. It offers a counterpoint to the decaying pier, embodying a quiet fortitude that survives rather than succumbs.

The speaker transitions from external observations to internal reflections, posing the question: "What does the mind do on a bad day?" This rhetorical query shifts the focus from the physical decay of the pier to the metaphorical decay of the human spirit during moments of despair. The mind, compared to "a sea-slug," exhibits a defensive response—it "shrinks and cringes," retreats into itself, and becomes resistant to light or external engagement. This simile evokes a visceral sense of vulnerability and withdrawal, mirroring the cormorant?s stillness but without its quiet dignity.

The mention of a game called "Spit in the Ocean" adds an air of dark humor to the poem. The futility of the game, where "nothing shining / Rises to that bait," underscores the existential theme: life often offers no immediate or satisfying rewards. The bait, much like the pier and its surroundings, symbolizes efforts or hopes that go unanswered or unfulfilled.

The final lines capture the essence of the poem?s quiet resilience. The eastward wind is described as "baffling," a word that suggests both confusion and resistance, and the fog envelops the scene in a shroud of obscurity. In this setting, the simple act of "standing still / And holding on" becomes an act of defiance against the indifferent forces of nature and existence. The idea of "holding on" emphasizes endurance over triumph, aligning with the poem’s overarching theme of persistence amid adversity.

Structurally, Wagoner uses spare, clipped lines to mirror the starkness of the pier and the simplicity of the cormorant’s survival. The poem’s rhythm is deliberately uneven, reflecting the erratic nature of the "chop and backwash" and the unpredictable movements of the mind on a "bad day." This stylistic choice reinforces the poem’s thematic focus on uncertainty and the small victories of endurance.

"Ceremony on Pier 40" draws its power from the juxtaposition of the desolate physical scene and the internal struggle it evokes. Wagoner paints a poignant portrait of the human condition, suggesting that even in moments of futility, the simple act of "standing still" can be a profound form of resistance. The cormorant, standing with wings outstretched, becomes a symbol of quiet perseverance—a reminder that survival, however unremarkable it may seem, is itself a ceremony of endurance.


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