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David Wagoner’s "Erich the Printer (B. 1883-D. 1938): (1929)" captures the despair, existential conflict, and artistry of a printer whose craft has devolved from a source of inspiration to a daily grind of commodified labor. Through the voice of Erich, the poem explores themes of disillusionment, the dehumanizing forces of industrialization, and the yearning for authenticity in a world increasingly dominated by superficiality.

The poem begins by situating the reader in Erich?s work environment—a noisy, vibrating print shop filled with the relentless clacking of machinery. The imagery of the press "shaking / Clapboard around my ears" and the floor "flutter[ing] under my shoes, like Calvary" conveys a visceral tension between the mechanical and the human. The reference to Calvary immediately sets a tone of suffering and sacrifice, suggesting that Erich perceives his labor as both grueling and sacrificial, but devoid of redemptive purpose.

Erich reflects on the act of printing as an ironic distortion of his once-idealized craft. He laments the commodification of names—men?s "prayers against misbirth"—and the reduction of human identity to a "scribbled fist" or a mass-produced "lying GOTHIC / Or a CHELTENHAM." These names, printed and preserved, seem to mock the individuality and authenticity they are meant to represent. For Erich, the act of printing, once imbued with creative and intellectual potential, has become a repetitive, hollow exercise.

The juxtaposition of art and commerce is central to the poem’s emotional impact. Erich nostalgically recalls a time when "a page / Still sang to me," when even the shape of a letter like "S" resonated with the lyrical beauty of a "Lied." This romanticized vision of typography as an art form contrasts sharply with his current reality, where the press churns out calendars adorned with "nudes and wheat-fields" and advertisements for executives and touts. The commercialization of his craft has stripped it of meaning, reducing it to "coins" and "key-chains" that "flash" like transient, trivial fires.

Wagoner’s use of religious imagery deepens the sense of Erich’s alienation and despair. The metaphor of the printer as Christ-like—incarnate in the room, bleeding ink like blood—underscores the physical and emotional toll of his work. However, this Christ figure is no savior; instead, he is trapped in a mundane purgatory, unable to transcend his labor or restore its sacredness. The serifs of the type "gouge / At the smooth vellum," a tactile reminder of the violence inherent in the mechanical process and a metaphor for Erich?s emotional wounds.

The poem also delves into the existential weight of Erich?s work. He describes names as "a death" and numbers as "the clockmarks toward it," suggesting that the act of preserving identities through print paradoxically serves as a reminder of mortality. The printer’s shop becomes a microcosm of a world obsessed with permanence and order, yet riddled with impermanence and decay. Erich’s disillusionment culminates in his wish for "Hell for executives / And touts," whom he holds responsible for the degradation of his craft and the commodification of human expression.

The closing lines of the poem are hauntingly defiant. Erich declares that he will "strew these pages, / Like my whoredom, across the cold sidewalk / Where the rain will stamp them blank." This act of scattering printed pages onto the street symbolizes both a rejection of his corrupted craft and a futile attempt to reclaim its authenticity. The rain, which "stamp[s] them blank," serves as an erasure of meaning and a metaphor for the inevitable entropy of human endeavors.

"Erich the Printer" is a poignant meditation on the collision of art and industry, the loss of creative agency, and the human struggle to find meaning in mechanized, dehumanizing labor. Through Erich?s voice, Wagoner gives life to the tension between aspiration and disillusionment, capturing the tragedy of a man who yearns for transcendence but is trapped in a world that values profit over poetry. The poem’s intricate blend of tactile imagery, religious symbolism, and existential reflection makes it a powerful commentary on the human condition in an increasingly impersonal and commodified society.


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