![]() |
Classic and Contemporary Poetry: Explained | |||
Robert Penn Warren’s "Question and Answer" is a philosophical exploration of human action, decision-making, and the elusive nature of truth and meaning. Through a series of metaphysical inquiries, Warren contemplates the choices we make and the consequences that follow, and how, ultimately, the search for answers to life’s essential questions is a deeply personal and often fruitless endeavor. The poem’s title underscores this dynamic, suggesting a dialogue between existential questions and the often unsatisfactory or incomplete responses that the world offers. The poem begins with a set of questions: "What has availed / Or failed?" This initial inquiry sets the tone for the entire piece, inviting the reader to consider what actions or decisions have succeeded or fallen short. The speaker immediately introduces ambiguity, referencing "The firm decision," "The voices / Lost," and "The choices / Lost," evoking a sense of uncertainty about the past and the various paths that could have been taken. The "elision of choice and choice" in "the long stammer of chance" suggests that the distinction between decisions becomes blurred over time, leaving us unsure of whether our actions were driven by intention or randomness. The poem’s repetition of the question "What has availed / Or failed?" emphasizes this ongoing uncertainty and highlights the futility of trying to determine the success or failure of past choices. Warren shifts the focus from past decisions to present and future possibilities, asking, "Or will avail?" This question introduces the idea of potentiality—what actions or choices might prove successful in the future? The poem then presents a series of images that symbolize balance, strength, and grace, such as the "Hawk's poise," the "boxer's stance," and the "sail" on "the swollen tack." These images represent moments of control, precision, and mastery over one’s circumstances. Yet, alongside these moments of balance and grace, Warren introduces the image of "the stainèd face," suggesting that even when we achieve moments of poise or success, they are often tainted by regret, guilt, or imperfection. The juxtaposition of these images reflects the duality of human experience—our attempts to exert control over our lives are always accompanied by the awareness of our limitations. The poem’s imagery then shifts to the natural world, inviting the reader to "Pace forth in dawns / Of buds unhinged, and dew" and to "view the sea and view, / Immense, the casual land." These images evoke a sense of wonder and awe in the face of nature’s vastness and beauty, but they also emphasize the speaker’s separation from it. The heart, the question, and the hour can all be "held in the hand," suggesting that personal, internal experiences can be grasped and understood. However, Warren warns that we cannot "demand / Of the wave-lipped, sea-tongued sand / Answer." Nature, with its "noble sky" and its integrity, offers no answers to our existential questions. The gull, the sea, and even "your true love" are all incapable of providing the resolution we seek. This idea underscores the central tension of the poem: while we continually search for answers in the world around us, the world remains indifferent to our inquiries. Warren expands on this theme by suggesting that the world itself, in all its manifestations—whether "the ocean with its blundering garrulity," "the wind-heaved gull," or "evening field and morning street"—does not provide answers, but rather mirrors our own questions back to us. The "frescoed figure leaning from the world's wall" demands the "true Answer" from us, rather than offering it. This image of a frescoed figure—a static representation of life—speaks to the idea that the world is filled with forms that imitate life but lack the ability to provide meaning or truth. The figure’s "blunt eye and ignorant hand" further reinforces the notion that the world is incapable of answering the deep questions we pose. The poem’s climax comes with the invocation of the biblical story of Moses striking the rock to bring forth water for the Israelites. Warren asks the reader to "think / How once the tribes in dread / From easy-bellied Egypt fled" and were "led, / Not to the desert well / Or green-lipped pool," but to a place where they were "thirsting and accurst." The image of the "riven rock" giving forth water, "like a pealing bell," serves as a metaphor for the human search for sustenance, meaning, and salvation in the face of immense hardship. The rock, once struck, miraculously provides life-giving water, but this moment of relief is fleeting and rare. The reference to Moses striking the rock suggests that even when answers do appear, they are the result of struggle, and their appearance is both miraculous and unpredictable. The closing lines of the poem return to the theme of potentiality and action. The heart is compared to a "bow / Bent," its "tough nerve unspent." The image of the bow, poised to release its arrow, symbolizes the tension between action and possibility. The "cord-kissing notch" represents the moment before the arrow is released, suggesting that life is filled with moments of anticipation and preparation, but once the action is taken—once the "wide arc is sprung"—we must live with the consequences. The speaker concludes by imagining the arrow flying "At God's black, orbed, target eye," a powerful image of human striving toward an ultimate, perhaps unknowable, goal. The arrow’s flight represents our attempts to find meaning, to hit the target of truth, but it is an act carried out in faith, with no guarantee of success. In "Question and Answer," Robert Penn Warren explores the fundamental human desire for answers and certainty in a world that offers none. Through a series of questions, images, and metaphors, the poem grapples with the tension between action and inaction, potential and regret, and the search for meaning in a universe that remains indifferent to our inquiries. The poem ultimately suggests that while we may never find the answers we seek, the act of questioning, striving, and pursuing remains central to the human experience.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...DEEP SORRINESS ATONEMENT SONG by GLYN MAXWELL FAILURES IN INFINITIVES by BERNADETTE MAYER ELLIPTICAL by HARRYETTE MULLEN I GO BACK TO MAY 1937 by SHARON OLDS MATER IN EXTREMIS by JEAN STARR UNTERMEYER ONE: 10 by EDWARD ESTLIN CUMMINGS |
|