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A FILIAL REPUBLIC, by             Poet Analysis     Poet's Biography

Susan Wheeler’s "A Filial Republic" orchestrates a sprawling tableau of figures and emotions, presenting a kaleidoscopic view of public and private lives intersecting in a shared, fractured moment. The poem layers observation and interiority, tracing a path from a personal perspective at a wooden desk to a collective outcry as huts burst into fire on the horizon. It explores themes of spectacle, human frailty, and the tenuous connections that bind us in shared space and time.

The title itself, "A Filial Republic," sets the stage for an exploration of collective identity rooted in familial bonds—an imagined republic where all participants are connected through their roles, desires, and failings. The opening epigraph from Alvin Feinman evokes a scene of stillness and yearning: "I sit / And smoke, and linger out desire." This contemplative mood contrasts sharply with the frenetic energy of the plaza scene that follows, where a vast array of characters come alive in vivid detail.

Wheeler’s catalog of figures—“the aviators, with their / Thick dark muffs; the women in red, clapping / For Coca-Cola; the small trumpet player, / Leaning on the fender of the car which was not his”—creates a sense of chaotic simultaneity. Each figure is both specific and emblematic, contributing to the poem’s depiction of a bustling, fragmented society. The aviators suggest flight and adventure, while the women clapping for Coca-Cola represent consumerism and its performative cheer. These images are juxtaposed with the trumpet player’s casual disconnection, leaning on a car that is not his, embodying a kind of rootlessness.

As the poem unfolds, Wheeler’s imagery grows increasingly surreal, blending the mundane with the extraordinary. “The mother, who wished so hard she broke in two” captures the intensity of maternal desire in an almost mythic register, while the inclusion of figures like Mick Jagger and Allen Funt injects a pop-cultural immediacy. The juxtaposition of the “security-green police” and “the gentle inquisitor” suggests a tension between authority and vulnerability, order and interrogation.

The poem’s narrative momentum accelerates as it catalogues a diverse crowd, each figure representing a facet of the human condition: “The deaf man, elegant, who bends to tie / His shoe; the grocery clerks, hanging back, / Aloof; the girls who clutched their T-shirts / From behind.” These details evoke a tactile intimacy, drawing the reader into the scene while emphasizing the separateness of each individual. Even as the poem gestures toward community, it underscores the isolation within it.

The final moments of the plaza scene shift dramatically as “the children: / Exclaiming together, as one hut and then another, / South on the horizon, burst into fire.” This eruption of violence shatters the poem’s earlier mundanity, introducing a visceral urgency that destabilizes the tableau. The juxtaposition of children’s exclamations with the destruction of huts underscores the fragility of innocence in the face of catastrophe.

The poem concludes with a return to the speaker’s introspection: “Rise up, from whom where you are seated, smoking, / At a wooden desk. There has been a terrible dream / In the apartment above you, and the tenant is pacing.” This closing scene collapses the external spectacle into an intimate interiority, suggesting that the chaos and tragedy of the public sphere reverberate into personal spaces. The “terrible dream” of the tenant above serves as a metaphor for the collective unconscious, a shared unease that permeates even moments of solitude.

In "A Filial Republic," Wheeler masterfully balances the macrocosm of societal observation with the microcosm of personal experience. The poem’s expansive cast of characters and rich sensory detail invite readers to reflect on the multiplicity of lives intersecting in any given moment, while its introspective framing reminds us of the inescapable interconnectedness of human experience. Ultimately, the poem is a meditation on the complexities of belonging and the ways in which individual desires, fears, and dreams coalesce into a shared, if uneasy, republic.


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