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Classic and Contemporary Poetry: Explained | |||
The poem begins by presenting Folly as engaging and merry, ringing his cap bells and attracting the attention of Beauty. Reason, on the other hand, is occupied with his "sermon-book", suggesting a more serious, introspective disposition. The poet wittily indicates that Folly's company is undeniably more enjoyable. Beauty, who likes to appear wise, briefly turns to Reason's 'dull page', indicating a short-lived interest in intellectual pursuits. But she quickly reverts to the enchantment of Folly's cap bells, reinforcing the allure of frivolity over intellectual depth. Reason, unnoticed, continues his solitary engagement with his book. In an attempt to capture Beauty's attention, Reason, driven by jealousy, borrows Folly's cap. The imagery of Reason donning Folly's cap creates a comic picture, pointing to the incongruity of Reason adopting frivolous attire. It also underscores the critique that attempting to be something one is not can often lead to awkward and unappealing results. Folly then uses Reason's book to create a 'cap of such ton', implying the creation of an impressive or fashionable head-dress from a symbol of intellect and wisdom. The transformation impresses Beauty, who prefers this cap to Reason's own. This final transformation suggests that beauty or charm is often more attracted to clever displays or showmanship than true intellect. Overall, the poem uses the interaction of these personified traits to suggest that human attraction often leans towards frivolity and display, rather than intellect or wisdom. However, it also implies that these elements - reason, folly, and beauty - are intertwined in human behavior, each with its own appeal and limitations. The balance or imbalance among these elements contributes to the complexity of human nature and relationships. Copyright (c) 2025 PoetryExplorer | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...CONTEMPLATION OF THE SWORD by ROBINSON JEFFERS AGAINST EXCESS OF SEA OR SUN OR REASON by WILLIAM MEREDITH PROVISION FOR THE HIGHER OZONE BODY by WILL ALEXANDER THE BOOK OF THE DEAD MAN (#65) by MARVIN BELL THE MACHINATIONS OF THE MIND by LAURE-ANNE BOSSELAAR WHY FOOL AROUND? by STEPHEN DOBYNS POPHAM OF THE NEW SONG: 1 by NORMAN DUBIE BELIEVE ME, IF ALL THOSE ENDEARING YOUNG CHARMS by THOMAS MOORE DEAR HARP OF MY COUNTRY! IN DARKNESS I FOUND THEE by THOMAS MOORE |
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