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PROLOGUE INTENDED FOR 'VORTIGERN', by             Poet Analysis     Poet's Biography

"Prologue Intended for 'Vortigern'" was written by Henry James Pye in 1796 as a prologue for a play that was ultimately rejected by the management of the Drury Lane Theatre. The play itself, "Vortigern and Rowena," was written by William Henry Ireland and caused a scandal when it was discovered that many of the documents supporting its authenticity as a work of William Shakespeare were forgeries. Pye's prologue was likely written in response to this controversy and the general public interest in the play.

Content: The poem is a prologue that addresses the audience and introduces the themes and characters of "Vortigern and Rowena." Pye uses the prologue to defend the play against its critics and to emphasize the importance of creativity and originality in the arts.

Form: The poem consists of 35 lines and is structured in a traditional form of rhymed couplets. The formal structure of the poem reflects the classic style of poetic composition and Pye's adherence to traditional poetic forms.

Poetic Elements: Pye employs several poetic techniques and devices in the prologue, including alliteration, metaphor, and rhetorical questions. For example, in the opening lines, he uses alliteration to emphasize the importance of creativity: "Can we, ye friends of genius, deign to blame/ The bold attempt to raise an ancient name?" He also uses metaphor to describe the creative process as a kind of alchemy: "Each art is but an alchemy refin'd/ That turns to gold the essence of the mind."

Summary: "Prologue Intended for 'Vortigern'" is a well-crafted poem that effectively introduces the themes and characters of "Vortigern and Rowena." Pye's use of poetic techniques and devices adds depth and complexity to the prologue, while the formal structure reflects the classic style of poetic composition. The poem also reflects the historical and cultural context of the period, including the controversy surrounding the authenticity of "Vortigern and Rowena" and the general public interest in the play. Overall, the prologue is a thoughtful and well-written defense of creativity and originality in the arts.


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