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Classic and Contemporary Poetry: Explained | |||
William Carlos Williams’ "To Wish Myself Courage" reflects a meditation on the passage of time, the evolution of creative energy, and the enduring drive for expression. Written with a voice that is both reflective and resolute, the poem captures a tension between youth and maturity, as well as the transformative potential of art across the stages of life. The poem begins with a declaration that looks forward to a future when "youth is no more upon me." The speaker envisions a time when the immediacy of youthful energy gives way to a calmer, reflective creativity: "I will write of the leaves and the moon in a tree top!" Here, the imagery of nature—leaves and the moon—suggests timeless beauty and serenity, qualities that resonate with the wisdom and distance often associated with age. The speaker’s anticipation of singing "the song, long in the making" reveals an understanding of creativity as a cumulative process, something that grows richer with time and experience. The contrast between the speaker’s present state and the envisioned future forms the emotional core of the poem. In youth, there is "stress," a word that conveys both the intensity and the pressure of being actively engaged in life and art. The speaker sees this phase as temporary, something to be "put away." Yet, this perspective is not dismissive of youth; instead, it acknowledges the natural progression of life and the inevitability of change. The juxtaposition of youthful vigor with the contemplative promise of maturity sets up a dynamic tension, underscoring the continuity of artistic purpose even as its expressions evolve. Williams questions the notion of being "written out," a phrase that suggests creative exhaustion or obsolescence. He counters this with an assertion of enduring potential: "Surely it is merely an interference with the long song— / This that I am now doing." The "long song" becomes a metaphor for the overarching narrative of a creative life, a work in progress that transcends any single moment or phase. The speaker implies that the current efforts, though meaningful, are but a part of a larger, more profound artistic journey. This perspective underscores Williams’ belief in the resilience of creativity and its ability to adapt and thrive over time. The imagery of decay and renewal in the latter half of the poem reinforces its central themes. Phrases like "the spring of it is worn like the old moon" and "the eaten leaves are lace upon the cold earth" evoke the natural cycles of growth and decline. The "old moon" and "eaten leaves" suggest the passage of time and the inevitability of aging, yet their beauty is not diminished. Instead, these images convey a sense of transformation, a renewal of purpose that emerges from the acceptance of life?s transience. The poem’s conclusion is both triumphant and anticipatory: "Then I will rise up in my great desire— / Long at the birth—and sing me the youth-song!" The speaker looks forward to a moment of artistic and personal resurgence, a reclaiming of the vitality and passion of youth through the act of creation. The "youth-song" is not merely a recapturing of past experiences but a reimagining of them through the lens of maturity and accumulated wisdom. This act of renewal affirms the enduring power of art to transcend time and to connect different phases of life in a seamless continuum. "To Wish Myself Courage" is a profound reflection on the relationship between age, creativity, and self-expression. Through its interplay of imagery and tone, the poem explores how the artistic spirit adapts and flourishes across the stages of life. Williams’ meditation on the "long song" suggests that creativity is not confined to the energy of youth but is instead a lifelong pursuit, enriched by the very passage of time that some might fear. In embracing both the challenges and the promises of aging, the poem offers an inspiring vision of artistic resilience and renewal.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...GRADATIONS OF BLUE by MATTHEA HARVEY AFTER THE GENTLE POET KOBAYASHI ISSA by ROBERT HASS MEMORY AS A HEARING AID by TONY HOAGLAND AMOROSA AND COMPANY by CONRAD AIKEN GRAY WEATHER by ROBINSON JEFFERS FROM THE SPANISH by JAMES WELDON JOHNSON |
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