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Classic and Contemporary Poetry: Explained | |||
The poem begins with the declaration "You too are dead," immediately setting a somber tone. The reference to the year 1917 anchors the poem in the context of World War I, a time of widespread loss and tragedy. The speaker describes the deceased, E.T., as "The coarse and ignorant," criticizing their inability to appreciate higher ideals and their propensity for cruelty and harsh judgment. Despite this criticism, the speaker notes that E.T. faced death bravely, "without a moan or whimper." This acknowledgment of E.T.'s courage in the face of death introduces a sense of complexity to the character, suggesting that even those who may be flawed or limited in their understanding can possess admirable qualities. The speaker then expresses a reluctance to pass judgment on E.T., recognizing the shared human condition and the finality of death. This hesitation to judge reflects a deeper understanding of the nuances of human nature and the speaker's own sense of humility. The mention of leaving E.T.'s grave "with tears" signifies a sense of compassion and empathy. The imagery of "sweet grass" covering the grave serves as a metaphor for the passage of time and nature's ability to heal and obscure the faults and virtues of the deceased. This natural imagery suggests a return to the earth and a sense of peace in death. The poem concludes with the words "Brother, hail and farewell!" This farewell acknowledges a kinship with the deceased, perhaps as fellow soldiers or simply as fellow human beings. The use of "Brother" humanizes E.T., moving beyond the initial criticism to a recognition of shared humanity and the solemnity of death. In summary, "E.T. Killed Mat, 1917" by Richard Aldington is a reflective and somber poem that explores the complexities of human character in the context of war and death. Through its nuanced portrayal of E.T., the poem delves into themes of judgment, empathy, and the shared experience of mortality, highlighting the multifaceted nature of individuals and the transformative power of death and time.
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