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"Toward the Jurassic Age" by Claribel Alegría is a metaphorical and allegorical poem that uses the imagery of dinosaurs to critique political and social issues, likely reflecting on the destructive impact of authoritarian regimes and military power in Central America. Alegría, known for her involvement in and commentary on the revolutionary struggles of Central American peoples, often uses her poetry to address social and political themes.

The poem begins with a seemingly innocuous introduction of creatures to Palma, starting off small and feeding on insects and mice. However, as the climate suits them, they begin to grow, moving from rats to chickens, then to dogs, donkeys, and eventually children. This progression from small to increasingly larger prey mirrors the escalation of power and the expanding scope of destruction often seen in oppressive regimes.

The description of the creatures growing rapidly and their diet expanding to include cows and sheep, while knocking down walls and causing landslides, serves as a metaphor for the unchecked and rampant growth of destructive power. The imagery of them chewing up olive trees and rubbing against rocks, causing environmental and infrastructural damage, symbolizes the wide-reaching impact of such power.

The mention of them wearing "military caps that perch on their crests" further solidifies the allegory to military or authoritarian power. The differentiation between herbivores and carnivores, yet noting that both are dangerous, could imply different types of regimes or powers, both harmful in their ways.

The destruction they cause, such as eating plantations and causing houses to fall when they scratch themselves, underscores the far-reaching effects of such power on society and the environment. The problem becomes so severe that the only solution seems to be aerial bombardment, but even this has its consequences, as indicated by the unbearable stench of their death and the difficulty in disposing of their bodies.

"Toward the Jurassic Age" is a powerful critique wrapped in a narrative of fantastical elements. Alegría uses the metaphor of these dinosaur-like creatures to comment on the growth, impact, and challenges of dealing with oppressive powers. The poem reflects her ongoing concern with the struggles of Central American countries against dictatorship and corruption, emphasizing the devastating impact these forces can have on societies and environments. Through this allegory, Alegría warns of the dangers of unchecked power and the complexities involved in addressing its aftermath.


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